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Beyond observation
A comprehensive history of ethnographic film since cinema began in 1895. It shows how the genre evolved out of reportage, exotic melodrama and travelogues prior to the Second World War into a more academic form of documentary in the post-war period.
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Dziga vertov
For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside ...
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Filmmaking for fieldwork
The underlying principal of this handbook is to broaden the application of ethnographic filmmaking to suit a wide range of research areas and documentary expression, encompassing sensory, fictive, observational, participatory, reflexive, performative and immersive modes of storytelling.
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Reel resistance - the cinema of jean-marie teno
Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a form of decolonial cinematic resistance.Co-winner African Literature As...
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The art of the observer
A personal perspective on documentary filmmaking, based on the author’s own experiences and reflections on the genre, with a particular emphasis on observational cinema. It includes both practical insights into filmmaking methods and discussions of the intellectual, ethical and emotional challeng...
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