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Africa's creative frontiers
Ogechi Adeola,Africa’s Creative Frontiers brings together leading scholars and practitioners to examine how fashion, music, and film are transforming African economies. It explores intersections with tourism, sustainability, and entrepreneurship, highlighting perspectives from across Africa.
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Curating contemporary music festivals
Brandon Farnsworth,Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music and how they could be a solution to the field’s diminishing social relevance. He focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Fe...
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Musicians on twitch
Arthur Ehlinger,Musicians on Twitch examines the emergence of the ‘musician-streamer’, a new kind of cultural worker shaped by the conventions of live streaming. Drawing on interviews and longitudinal observation, it shows how Twitch is reshaping musical labour, monetising the bonds that form between musicians a...
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On becoming a rock musician
H. Stith Bennett, Howard S. Becker,In On Becoming a Rock Musician, the sociologist H. Stith Bennett observes what makes a rock musician and then persuades others to take him seriously.
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Platform jazz
Benjamin Burkhart,The first empirical study of the production logics of popular jazz musicians on TikTok.
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Re-composing youtube
Jonas Wolf,Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation.
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Sponsorship culture in the german university popular music festival market
Dominik Nösner,Dominik Nösner examines sponsorship culture, and the interrelations between sponsors and audience with an emphasis on university popular music festivals.
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The rise of the platform music industries
Andrew Leyshon, Allan Watson,A critical appraisal of the latest round of platform intermediation, centred on MusicTech, social media platforms and user-generated content, live streaming, crowdfunding and gamification, that is reshaping the contemporary music industry.
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What makes a great composer?
Karol Jan Borowiecki, Marc T. Law,How education, institutions, emotion, and opportunity shape creativity in classical musicWhy do we still listen to Mozart’s music but not Salieri’s? Would Nadia Boulanger be better known as a composer than a teacher if she were a man? Why did so many composers move to Vienna, Paris, and London, d...
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