Differences in the dark

George Bernard Shaw once quipped that America and England are two cultures separated by a common language. In this innovative attempt to place the movies and theater in the larger context of American and English cultural differences, Michael Gilmore demonstrates that the most interesting way to u...

Direct cinema

Direct Cinema is the first comprehensive study of the "direct cinema" movement of 1960s America. Through the inquisitiveness of filmmakers such as Robert Drew, D.A. Pennebaker, and Frederick Wiseman—and predicated on innovations such as portable cameras and synchronized sound—direct cinema intima...

Disaster and memory

Using the media's coverage of the death of Princess Diana as a departing point, Wheeler Dixon presents a sharply critical assessment of the current state of movies--from the cult of celebrity, to the nature of public surveillance, to the role of print and television media in shaping our shared co...

Disaster movies

Stephen Keane's history of the disaster genre offers a detailed analysis of films such as The Towering Inferno, Independence Day, Titanic, and The Day After Tomorrow. He looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commerc...

Documentary display

Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining and spectacular images. This book examines such innovative approaches as they occur within the process of "documentary display"—a practice which emphasizes...

Dubbing and subtitling in a world context

This volume is a collection of selected papers presented at the "International Conference on Dubbing and Subtitling in a World Context" organized by the Department of Translation of The Chinese University of Hong Kong in October 2001. ...

Dziga vertov

For the Russian filmmaker and film theorist Dziga Vertov (1896-1954), cinema was both a bold aesthetic experiment and a document of contemporary life. This English/German bilingual catalogue includes films, photographs, posters, letters and a large number of previously unpublished sketches, drawi...

Early soviet cinema

Early Soviet Cinema: Innovation, Ideology and Propaganda examines the aesthetics of Soviet cinema during its "golden age" of the 1920s, against a background of cultural ferment and the construction of a new socialist society. Separate chapters are devoted to the work of Sergei Eisenstein, Lev Kul...

Engaging the past

Examines the making and meaning of history for everyday viewers

European nightmares

This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The...

Feminist auteurs

Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while payi...

Film comedy

What exactly is film comedy and what is the basis for its widespread appeal? Film Comedy uses formal, socio-historical and industrial perspectives to answer this question. What, for example, is the basis of the appeal of gross-out comedy in films such as There's Something About Mary and American ...

Film dialogue

Film Dialogue is the first anthology in film studies devoted to the topic of language in cinema, bringing together leading and emerging scholars to discuss the aesthetic, narrative, and ideological dimensions of film speech.

Film sound

This classic anthology provides essential models for analyzing sound stylistics through the detailed study of critical sound films. Elisabeth Weis and John Belton carefully curate major essays from the world's most respected film historians, aestheticians, and theorists, including Douglas Gomery,...

Film, a sound art

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise—it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore renderin...

Films of fact

Britain has long been recognised for its proud contribution to documentary cinema, yet its long tradition of scientific and medical documentaries remains underrepresented in the literature on nonfiction film. Films of Fact is the first in-depth history of the genre, which began with amateur hobby...

Fires were started

Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes rev...

France on film

Gustav deutsch

Since the 1990s, "found footage film" has flourished internationally. Among the filmmakers that gained prominence in this context of "applied media archaeology" is Gustav Deutsch, an outstanding case. His work—including the series Film Is or Welt Spiegel Kino—has been shown widely at film festiva...

Hard to imagine

Spanning more than a century of photography and film, Hard to Imagine is the first visual chronicle of the evolution of gay male image culture, from the canonical works of "art" photography and cinema to the private and often highly explicit productions of amateurs. This comprehensive work explor...

Haunted images

Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the ...

Heritage film

This volume provides a comprehensive introduction to the critical debates around the heritage film, from its controversial status in British cinema of the 1980s to its expansion into a versatile international genre in the 1990s and 2000s. This study explores the heritage film in light of question...

Hitchcock and twentieth-century cinema

Hitchcock and Twentieth-Century Cinema looks at the work, influences, legacy and style of one of cinema's most famous directors. Alfred Hitchcock worked in Britain and America, in silent and sound films, and through and beyond the studio system, all the time appealing to mass audiences while empl...

Hitchcock's films revisited

Hungarian cinema

Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary e...

In the realm of pleasure