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Cinema and history
Michael Chopra-Gant,With its unparalleled capacity for realism, cinema seems uniquely positioned to bring history to life for a mass audience. Whether retelling stories about past events or reflecting more contemporary issues, cinema has been arguably the primary source of historical knowledge for many people from i...
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Dream state
Mick LaSalle,An eminent film writer looks behind the curtain of the California dream It hardly needs to be argued: nothing has contributed more to the mythology of California than the movies. Fed by the film industry, the California dream is instantly recognizable to people everywhere yet remains evasive fo...
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Filming history from below
Efrén Cuevas,In recent decades, a type of historical documentary has emerged that focuses on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of h...
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Law, justice, and society in the medieval world
Esther Liberman Cuenca, M. Christina Bruno, Anthony Perron, Maria Americo, Daniel Armenti, Lucy C. Barnhouse, Christopher Bonura, M. Christina Bruno, Julie K. Chamberlin, Celia Chazelle, Rachel Ellen Clark, Esther Liberman Cuenca, Casey Ireland, Henry Ansgar Kelly, Sarah C. Luginbill, Coral Lumbley, Sara McDougall, Nathan Melson, Nahir I. Otaño Gracia, Anthony Perron, David M. Perry, Asif A. Siddiqi, Eugene Smelyansky, Lorraine Kochanske Stock, Spencer Strub and moreThis coursebook is the first full-length study of cinematic “legal medievalism,” or the modern interpretation of medieval law in film and popular cultureFor more than a century, filmmakers have used the “Middle Ages” to produce popular entertainment and comment on contemporary issues. Each of the...
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