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Béla balázs: early film theory
Béla Balázs, Erica Carter, Rodney Livingstone,Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film stu...
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From fidelity to history
Anne-Marie Scholz,Approaches “literature to film” debates in a new way, focusing upon the historical dimensions of adaptation. Considers historical adaptations as a special kind of reception. Offers rich case studies of historical and transnational film adaptations such as The Third Man (1949) and Sen...
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New hong kong cinema
Ruby Cheung,Advocates the model of ‘Cinema of Transitions’ to study Hong Kong-related, Chinese-language films that are concerned with Hong Kong’s sovereignty transfer. Intervenes in the studies of Hong Kong cinema from a combined perspective of Diaspora and East Asian Studies, rather than situating ...
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