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But in \u003ci\u003eWho Owns Antiquity?\u003c\/i\u003e, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. \"Antiquities,\" James Cuno argues, \"are the cultural property of all humankind,\" \"evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, \u003ci\u003eWho Owns Antiquity?\u003c\/i\u003e is sure to be as important as it is controversial.\u003c\/p\u003e","brand":"James Cuno","offers":[{"title":"Default Title","offer_id":42955729436790,"sku":"9780691148106","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_d75a19ec-c8bb-4a42-bc41-8c0026a2010e.jpg?v=1767699782"},{"product_id":"extreme-collecting-9781782385141","title":"Extreme Collecting","description":"\u003cul\u003e\n\t\u003cli\u003e\n\t\tA comprehensive debate from a historical and contemporary perspective on the practice of collecting difficult objects\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tOffers a new perspective on the acquirement of objects related to war and genocide\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tEvaluates the limits of new strategies for the practice of collecting\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tDetails the move towards classifying priorities for collection policies in museums for acquiring difficult objects\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Graeme Were","offers":[{"title":"Default Title","offer_id":42955739136118,"sku":"9781782385141","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_19285e53-754b-4f51-9580-2793cd6f8a72.jpg?v=1767702911"},{"product_id":"exhibiting-europe-in-museums-9781785332609","title":"Exhibiting Europe in Museums","description":"\u003cul\u003e\n\t\u003cli\u003e\n\t\tFirst pan-European study of processes of transnationalization and Europeanization of history\/anthropology museums in Europe.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tStrongly interdisciplinary account of changing museum landscape in Europe, drawing in particular on social sciences, contemporary history, museum\/cultural studies and anthropology.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tBased on wide-ranging research including visits to nearly 100 museums and more than 60 interviews with cultural policy-makers and museum practitioners.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wolfram Kaiser","offers":[{"title":"Default Title","offer_id":42955742543990,"sku":"9781785332609","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_63d00374-1714-4f79-b6f1-e1dbebbb9467.jpg?v=1767701097"},{"product_id":"from-antiquities-to-heritage-9781785332050","title":"From Antiquities to Heritage","description":"\u003cul\u003e\n\t\u003cli\u003e\n\t\tA historical perspective on cultural heritage. The book combines investigations of eighteenth century antiquarianism with contemporary heritage studies.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tPresents Norwegian material to an international readership.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tDiscusses issues related changes in the modern experience of temporality by means of investigations of specific empirical material.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Anne Eriksen","offers":[{"title":"Default Title","offer_id":42955743756406,"sku":"9781785332050","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_f2ac9484-c197-4d32-aa53-9456a92edc02.jpg?v=1767701180"},{"product_id":"a-general-theory-of-visual-culture-9780691178073","title":"A General Theory of Visual Culture","description":"\u003cp\u003eWhat is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, \u003ci\u003eA General Theory of Visual Culture\u003c\/i\u003e argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls \"visuality\" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision.\u003cbr\u003e\u003cbr\u003e Expansive in scope, \u003ci\u003eA General Theory of Visual Culture\u003c\/i\u003e draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.\u003c\/p\u003e","brand":"Whitney Davis","offers":[{"title":"Default Title","offer_id":42955748540534,"sku":"9780691178073","price":53.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_9e7edc56-3662-47fa-99ee-ec3e2fa47c2f.jpg?v=1767695936"},{"product_id":"art-and-illusion-9780691070001","title":"Art and Illusion","description":"\u003cp\u003e\u003cb\u003eA groundbreaking account of perception and art, from one of the twentieth century’s most important art historians\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eE. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and \u003ci\u003eArt and Illusion\u003c\/i\u003e is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of information and learning in visual perception. Searching for a rational explanation of the changing styles of art, Gombrich reexamines ideas about the imitation of nature and the function of tradition. In testing his arguments, he ranges over the history of art, from the ancient Greeks, Leonardo, and Rembrandt to the impressionists and the cubists. But the triumphant originality of \u003ci\u003eArt and Illusion \u003c\/i\u003eis that Gombrich is less concerned with the artists than with the psychological experience of the viewers of their work.\u003c\/p\u003e","brand":"E. H. 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Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, \u003ci\u003eChinese Painting and Its Audiences\u003c\/i\u003e demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.\u003cbr\u003e\u003cbr\u003eArguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.\u003cbr\u003e\u003cbr\u003eExploring the complex relationships between works of art and those who look at them,\u003ci\u003e Chinese Painting and Its Audiences \u003c\/i\u003esheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.\u003cbr\u003e\u003cbr\u003ePublished in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC\u003c\/p\u003e","brand":"Craig Clunas","offers":[{"title":"Default Title","offer_id":42955756994678,"sku":"9780691171937","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_14ff46b6-3916-451d-989a-72c5ebb0f064.jpg?v=1767696928"},{"product_id":"of-gardens-9780812223545","title":"Of Gardens","description":"\u003cp\u003ePaula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in \u003ci\u003eOf Gardens\u003c\/i\u003e record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation.\u003cbr\u003e\u003cbr\u003eDuring a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In \u003ci\u003eOf Gardens\u003c\/i\u003e, we follow Deitz down paths of revelation, viewing \"A Bouquet of British Parks: Liverpool, Edinburgh, and London\"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites.\u003cbr\u003e\u003cbr\u003eDeitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled \"A Winter Garden of Yellow.\"\u003c\/p\u003e","brand":"Paula Deitz","offers":[{"title":"Default Title","offer_id":42955765579894,"sku":"9780812223545","price":34.95,"currency_code":"USD","in_stock":true}]},{"product_id":"after-art-9780691150444","title":"After Art","description":"\u003cp\u003e\u003cb\u003eHow digital networks are transforming art and architecture\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eArt as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.\u003cbr\u003e\u003cbr\u003eExamining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, \u003ci\u003eAfter Art\u003c\/i\u003e provides a compelling and original theory of art and architecture in the age of global networks.\u003c\/p\u003e","brand":"David Joselit","offers":[{"title":"Default Title","offer_id":42955766005878,"sku":"9780691150444","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_bed8f1dc-68c1-427d-87af-fd404800221e.jpg?v=1767713350"},{"product_id":"distributed-objects-9781782389132","title":"Distributed Objects","description":"\u003cul\u003e\n\t\u003cli\u003e\n\t\tThe first cross-disciplinary exploration of \u003cem\u003eArt and Agency\u003c\/em\u003e by leading scholars in their fields.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tExamines the reception and influence of a highly influential and still controversial theory 15 years after its publication.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tIncludes a hitherto unpublished essay by Gell (‘The Network of Standard Stoppages’) and some of his illustrations.\u003c\/li\u003e\n\t\u003cli\u003e\n\t\tJuxtaposes richly argued case studies against innovative and insightful analysis.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Liana Chua","offers":[{"title":"Default Title","offer_id":42955768299638,"sku":"9781782389132","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_96295e5f-811f-45ef-98f5-7dcb2789d371.jpg?v=1767712427"},{"product_id":"art-and-the-city-9780812221534","title":"Art and the City","description":"\u003cp\u003eNo longer represented only by Hollywood and the commercial fashion industry, Los Angeles in recent years has received international media attention as one of the world's new art centers. From the appearance of local artists in major European exhibitions to widely reported multimillion-dollar museum endowments, Los Angeles has entered the world cultural stage.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eArt and the City: Civic Imagination and Cultural Authority in Los Angeles\u003c\/i\u003e places this celebrated arrival in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. The Ferus Gallery's pop-infused \"L.A. Look\" and \"finish-fetish,\" now synonymous with Los Angeles's postwar modernist aesthetics, emerged from a dispersed art community that struggled in the 1950s to find a toehold in a local scene reeling from the censure of the McCarthy era. The Watts Towers have long faced neglect despite their international fame, while Venice Beach, Barnsdall Park, Griffith Park, and Olvera Street proved highly contentious sites of urban cultural expression.\u003cbr\u003e\u003cbr\u003eChallenging historical accounts that situate the city's origins as an art center in the 1960s, \u003ci\u003eArt and the City\u003c\/i\u003e argues that debates over modernism among artists and civic leaders alike made art a charged political site as early as the 1910s. The legacy of those early battles reverberated throughout the century. Because of a rich tradition of arts education and the presence of Hollywood, Los Angeles historically hosted a talented population of contemporary artists. However, because of the snug relationship between urban aesthetics and capital investment that underscored the booster goals of the civic arts movement, modern artists were pushed out of public exhibition spaces until after World War II. \u003ci\u003eArt and the City\u003c\/i\u003e uncovers the historic struggles for cultural expression and creative space that are hidden behind the city's booster mythology.\u003c\/p\u003e","brand":"Sarah Schrank","offers":[{"title":"Default Title","offer_id":42955774525558,"sku":"9780812221534","price":29.95,"currency_code":"USD","in_stock":true}]},{"product_id":"the-tower-and-the-bridge-9780691023939","title":"The Tower and the Bridge","description":"\u003cp\u003eWhat do structures such as the Eiffel Tower, the Brooklyn Bridge, and the concrete roofs of Pier Luigi Nervi have in common? According to this book, now in its first paperback edition, all are striking examples of structural art, an exciting form distinct from either architecture or machine design. Aided by a number of stunning illustrations, David Billington discusses leading structural engineer-artists, such as John A. Roebling, Gustave Eiffel, Fazlur Khan, and Robert Maillart.\u003c\/p\u003e","brand":"David P. Billington","offers":[{"title":"Default Title","offer_id":42955774689398,"sku":"9780691023939","price":60.0,"currency_code":"USD","in_stock":true}]},{"product_id":"policy-planning-and-people-9780812222395","title":"Policy, Planning, and People","description":"\u003cp\u003eThe contributors of \u003ci\u003ePolicy, Planning, and People\u003c\/i\u003e argue for the promotion of social equity and quality of life by designing and evaluating urban policies and plans. Edited by Naomi Carmon and Susan S. Fainstein, the volume features original essays by leading authorities in the field of urban planning and policy, mainly from the United States, but also from Canada, Hungary, Italy, and Israel. The contributors discuss goal setting and ethics in planning, illuminate paradigm shifts, make policy recommendations, and arrive at best practices for future planning.\u003cbr\u003e\u003cbr\u003e\u003ci\u003ePolicy, Planning, and People\u003c\/i\u003e includes theoretical as well as practice-based essays on a wide range of planning issues: housing and neighborhood, transportation, surveillance and safety, the network society, regional development and community development. Several essays are devoted to disadvantaged and excluded groups such as senior citizens, the poor, and migrant workers. The unifying themes of this volume are the values of equity, diversity, and democratic participation. The contributors discuss and draw conclusions related to the planning process and its outcomes. They demonstrate the need to look beyond efficiency to determine who benefits from urban policies and plans.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eContributors:\u003c\/b\u003e Alberta Andreotti, Tridib Banerjee, Rachel G. 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The book is durable with helpful color-coded pages to cross reference with demonstrated drawing tools. The book is organized into three Drawing Chapters:  First, Tools +Techniques, from black and white to color drawings: Second, Methods, where perspective drawing rules are established, followed by Learning from The Masters to learn color theory and composition, then drawing Cityscapes + Landscapes, Aerial Perspectives, with demonstrations of Quick Draw and Slow Draw techniques: Third, Drawing as a Way of Thinking, where Analytical Sketching, Sequential Serial View drawings and Developing Design Proposals Using the Story Board Method are illustrated.\n\n\n\n This book is a tool for everyone – whether you are traveling the globe or drawing in your backyard. With a multitude of examples and helpful insights for both the professional and beginner, this book will help you take the world around you and Draw It.","brand":"Lynn Craig","offers":[{"title":"Default Title","offer_id":42955786190966,"sku":"9781941806760","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_59eb6df5-6b45-4db8-9262-0130b27b7761.jpg?v=1767698788"},{"product_id":"here-be-dragons-9780691116891","title":"Here Be Dragons","description":"\u003cp\u003eSphinxes, hydras, chimeras, dragons, unicorns, griffins, sirens, and centaurs--fantastic animals can be found in works from Greek vases to paintings by Bosch, Goya, and Picasso, from folk art to comic strips, advertising, and Hollywood movies. \u003ci\u003eHere Be Dragons\u003c\/i\u003e is a lavishly illustrated compendium of the marvelous menagerie of imaginary animals that humans have conjured up over the ages. 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