{"title":"Bloodaxe Books","description":null,"products":[{"product_id":"the-mermaids-purse-9781780375700","title":"The Mermaid's Purse","description":"Fleur Adcock began writing the poems in this book when she was 82. The two chief settings are New Zealand, with its multi-coloured seas, and Britain, seen in various decades. There are foreign travels, flirtations, family memories, deaths and conversations with the dead. Katherine Mansfield, incognito, dodges an academic conference; there’s a lesson in water divining as well as a rather unusual Christmas party. We meet several varieties of small mammal, numerous birds, doomed or otherwise, and some sheep. 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In between there's the tightrope, 'The Walking Shot', the report on the pilgrimage in progress, the marquise going out at five o'clock. The eye moves left to right along with the poems' movement. Though there are stops from time to time, for problems of the unidentified, the location of waterholes, whether or not those birds are oystercatchers, for the interior of a pocket and Nijinsky jumping. 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She is one of the trio of great Scandinavian women poets, along with Edith Södergran and Karin Boye – all three published in English by Bloodaxe Books. Her stories are often about love’s intensity, its eroticism and tenderness, about jealousy and struggles for power between men and women. They are acute in their depiction of small town life in Finland in the 1940s, and in capturing her sense of dread at the alarming upsurge of Nazi sympathies during the War. Everything she wrote afterwards was scarred by the horror of the Holocaust, and in particular by one news story of a German soldier who threw a Jewish boy into a sewer because the boy cried when the soldier was whipping his mother. Mirjam Tuominen had a frightening, self-destructive ability to react directly to the suffering of others, and much of her poetry can be traced back to her anguished response to this one incident. Her poems are obsessive in confronting guilt, vulnerability and power, in their searching for absolute truth in a world she saw as split between victims and tormentors. Mirjam Tuominen was drawn to writers who were vulnerable and tormented outsiders. She translated their work, and wrote powerful studies of ?gures such as Kafka, Rilke, Proust, Hölderlin and Cora Sandel. Her essays shows the extent of her identification with them: ‘Kafka must have felt the conflict between the demands of his inner being and those of the world around him with an extreme and almost intolerable intensity.’ David McDuff’s edition includes selections from Mirjam Tuominen’s poetry and stories, as well as her seminal essay Victim and Tormentor. 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Edna Longley shows in particular where recent Northern Irish writing, together with the critical debates it has occasioned, ?ts into this process of change.\n\nIn her introduction, which includes a hard-hitting critique of The Field Day Anthology, Edna Longley argues that it’s time for Irish literary criticism to adopt the “revisionist” approach that characterises the writing of Irish history, which would mean paying more attention to religious factors, to literary relations with Britain, and to the cultural diversity that underlies creative diversity. These ideas inform her consideration of such topics as: the historical imaginations of Northern Irish poets; Belfast in literature; Protestant writers after Irish Independence; the Thirties generation of Northern Irish writers; the in?uence of Louis MacNeice; aesthetic differences between poetry from the North and from the Republic. The book also contains a reflection on the 75th anniversary of the Easter Rising, and Edna Longley’s controversial pamphlet From Cathleen to Anorexia: The Breakdown of Irelands.","brand":"Edna Longley","offers":[{"title":"Default Title","offer_id":42959828877430,"sku":"9781852242176","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_b7e9a02c-6e41-40c0-9be5-7626dae21c17.jpg?v=1777483657"},{"product_id":"the-sovereign-sun-9781852241209","title":"The Sovereign Sun","description":"Odysseus Elytis (1911-96) won the Nobel Prize in Literature in 1979. With Seferis and the 'Generation of the Thirties', he introduced French Surrealism into Greek poetry. Kimon Friar’s classic translation The Sovereign Sun begins with his brilliantly sensuous early poems. It has large selections from his master work, Axion Esti (1959), and includes the whole of his Heroic and Elegiac Song for the Lost Second Lieutenant of the Albanian Campaign (1945). 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As human beings living in society we’re supposed to keep what we really think hidden, but the poems of Sweet, like Rinky-Dink want to look at the absurdity behind our posturing, because in looking at it squarely in the face we might hope to have some freedom from it. 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As everything in nature grows and decays, so 'everyone is always inside the act of dying at the same time as being inside the act of living', Hardie writes in her essay 'Aftermath', a meditation on grief which precedes a sequence of poems on the death of her brother in India. This is Kerry Hardie's second collection since her Selected Poems (2011), following The Ash and the Oak and the Wild Cherry Tree (2012), and continues the arc of the latter, 'a dark and gorgeous hymn to human mortality' (Claire Askew), questioning, celebrating and challenging all aspects of human experience. A number of her poems are narratives or parables in which experience yields a spiritual lesson and consolation; others chart a coming to terms with death or illness and an acceptance of inevitability or flux. Human life quivers in consort with other lives in these seasons of the heart. 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Brexit; racist and sexist abuse; class; our work-life balance, and our relationship with institutions (be it our employer, or the NHS); taboos surrounding mental health; civil war in Sri Lanka; media representation of minorities; immigrant anxieties: these poems look inward, but also outward. Worrying at the link between society and our private lives, they scorn a politics which would put us all in separate boxes. Love, and imagination, may not conquer all, but as recent shocks suggest, ‘we’ must at least try to understand people different to us. 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The collection veers between sequence and stand-alone poems, the recurring subjects including viscous liquids, popular music, folkloric beasts and relationships and friendships with younger people. This book also reproduces Lumsden's acclaimed limited edition short collection The Bells of Hope which, in 51 short and exuberant 'kernel poems', records the poet's first ever year lived alone. Shortlisted for the Saltire Scottish Poetry Book of the Year.","brand":"Roddy Lumsden","offers":[{"title":"Default Title","offer_id":42960745889910,"sku":"9781780371122","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_fb2a2dc9-ce7c-4fe6-a018-3bd2af5179b0.jpg?v=1767853083"},{"product_id":"love-songs-of-carbon-9781780372587","title":"Love Songs of Carbon","description":"\u003ci\u003eLove Songs of Carbon \u003c\/i\u003eis Philip Gross's 18th book of poetry, and is a coming of age - inhabiting the ageing body with a confident, inventive curiosity. At the same time searching, tender, intellectually agile, unexpected and erotic, this is poetry at home with great shifts of perspective, from the outer edge of science to the sensations at our fingertips. These are love poems, both to the person and to the body itself, even as - especially as - it faces entropy and decay.","brand":"Philip Gross","offers":[{"title":"Default Title","offer_id":42960746545270,"sku":"9781780372587","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_44785f54-ecfd-46be-a4e5-224375c065c6.jpg?v=1767853351"},{"product_id":"pirate-music-9781780371139","title":"Pirate Music","description":"Miriam Gamble's second collection takes its title from unlicensed broadcasting. Here, the marginalia of prophecy coexist with and counter voices of authority, voices that are at once eerie and depressingly recognisable. An artist steals back paintings, leaving the money in their wake, and scores a cameo on Crimewatch; a figure from medieval memento mori art finds himself up against a consumer deaf to the language of symbolism; animal anti-heroes spit in the face of well-meaning, or not so well-meaning, human interest. Throughout, biological impulses are sparked then thwarted by entropic systems - creatures and humans alike find themselves steered rather than steering, engulfed by repeating patterns which nullify the efforts of the individual life. 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The mysteries of the trade gradually reveal themselves as rooted in a wide and uncensored range of subject-matter, a life-time's love of words, and an intuitive grasp of the mechanics of form and voice. Recognising her role so late, she was a woman in a hurry; there wasn't time for self-consciousness or grandiose notions of 'vocation'.  'A poet,' she said, 'is a smuggler. He imports things clandestinely which are not supposed to have got through the customs.'  Poetry 'happened to me', she would say. Her job? To listen, to pass it on.","brand":"U.A. 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He had a quiet life by many standards, but in one respect it was exemplary, even legendary; he made an early reputation in little magazines, decided to stop writing verse when still only 20, kept his silence for 20 years, then began again; and his first book of verse, published when he was 45, was his masterpiece La Jeune Parque. 'A poem should not mean, but be,' said Archibald MacLeish. La Jeune Parque ('the goddess of Fate as a young woman') certainly exists: she's beautiful and makes great gestures. And as for what she means, there's a substantial amount of argument about that, so La Jeune Parque is a poem by either definition. It's a classic, by general agreement, written to the full 17th-century recipe for alexandrine couplets, and it's modern, with every word pulling its weight in more than one direction. Alistair Elliot's translation with notes is aimed at making this rewarding but difficult long poem accessible enough for bafflement to turn into admiration. 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The forms used are equally promiscuous: tanka, sonnets, refrains, poems sifted from or alluding to Les Liaisons dangereuses or Barthes’ A Lover’s Discourse, versions of Baudelaire, Bonnefoy and Corbière, an ‘echo sonnet’, sonnet-strings, mono-rhymers, a ‘tonnet’ – hybrid of sonnet and tanka – and, most frequently, tanka used as a run-on stanza unit. Traversing the boudoirs of La Belle Époque, 80s Cold War Russia, ancient Egypt and the Wild West, to London 1910 or LA in the 1990s, but more often than not from these locations to the 24 hour neon of the contemporary city and back again in a micro-second, desire feeds lack (and vice versa) yet yearns for escape. 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Taking her title from the idea that when a woman writes about her experience as a woman, ‘she writes in white ink’ (Hélène Cixous), Eleanor Brown wanted to inscribe, among other things, the unseen labour of endowing infants with their mother tongue, their birthright of speech and language skills – the babbling, cooing, phonic repetition, echolalia, chanting of nonsense-words, singing of lullabies, nursery rhymes, counting rhymes, clapping songs, and telling of bedtime stories that is often the invisible and unrecorded work of women with pre-school-age children. A number of these poems were written in response to interviews made for the Reading Sheffield oral history project. 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By turns uncanny, dark, poignant and uproarious, What Planet sets the individuality of perception and the inventiveness of memory against fixed certainties, probing chaos and madness in a post-truth world. Rhythmically propulsive and dizzyingly inter-connective, Gamble’s new work is as formally adventurous as it is conceptually distinctive, stretching syntax, jumbling the solid and spectral, crossing borders of time and space.  Yet this is also a collection pained by loss, and passionate to connect with a life’s 'vacated' corners – even if the act of remembering is as much creation as recovery. Winner of the 2020 Pigott Poetry Prize.","brand":"Miriam Gamble","offers":[{"title":"Default Title","offer_id":42960773709942,"sku":"9781780374840","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_4bc7a090-85c8-4e42-8c24-595b2315b3df.jpg?v=1767852880"},{"product_id":"paradise-9781852242497","title":"Paradise","description":"Elena Shvarts was the most outstanding Russian poet of her generation. 'Paradise' presents a dual language selection of her earlier poetry, and was a Poetry Book Society Recommended Translation.\n\nEach new generation has to reinterpret St Petersburg, the place, the culture and its significance for Russia. Shvarts's haunted and demonic city is nearer Dostoyevsky's than Akhmatova's or Brodsky's. Her poetry draws backwoods Russian folklore with its cruelty, its religiosity and its quaint humour, into stone, cosmopolitan Petropolis. She brings out both the truth and the irony of Peter the Great's 'Paradise', celebrating and reviling her native city as a crossroads of dimensions, a reality riddled with mythical monuments and religious symbols. Despite the blood beneath its pavements, her St Petersburg also reveals traces of an angelic origin: 'Black rats nest over the shining river, in undergrowth, \/ They're permitted, welcome, nothing can ruin paradise on earth.'\n\nElena Shvarts stood outside all schools and movements in contemporary Russian poetry. She once famously described poetry as a 'dance without legs'. Her own poetry fits this description perfectly, a combination of deeply rhythmic and lyrical dance with the eccentric, perpetual movement of flight. The world of her poems is strange and grotesque; often the setting is urban, but unrecognisable - towns emptied of the everyday and peopled only by animals, spirits and strange elemental forces. A peculiar religious fervour illuminates these scenes, but her religion is unorthodox and highly individual. Shvarts’s poetry is visionary. Her vision takes her to the edge of language and rhythm, and she was one of the few contemporary poets brave enough to trust her vision absolutely.","brand":"Elena Shvarts","offers":[{"title":"Default Title","offer_id":42960774430838,"sku":"9781852242497","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_bf593ab6-4ad8-4a46-b486-6493220ee76c.jpg?v=1767853091"},{"product_id":"return-by-minor-road-9781780375229","title":"Return by Minor Road","description":"In her mid-20s, Heidi Williamson was part of a Scottish community that suffered an inconceivable tragedy, the Dunblane Primary School shooting. Those years living in the town form the focus of her third poetry collection. Through rivers, rain, wildlife and landscape, she revisits her home town and discovers the healing properties of a beloved place that helped form her.","brand":"Heidi Williamson","offers":[{"title":"Default Title","offer_id":42960775020662,"sku":"9781780375229","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_49869a4a-5556-4a59-97e3-185311916136.jpg?v=1767852430"},{"product_id":"the-magnitude-of-my-sublime-existence-9781780373058","title":"The Magnitude of My Sublime Existence","description":"The Magnitude of My Sublime Existence is the account of a young woman's stay in the psychiatric ward of a large hospital. The only time she feels safe is when swimming; the only place, the sea, preferably underwater. Selima Hill's 17th book of poetry - her 14th from Bloodaxe - takes her back to the territory of her third book, The Accumulation of Small Acts of Kindness (1983), but this revisiting is quite different in style and mood. Over thirty years later, 'this brilliant lyricist of human darkness' (Fiona Sampson) is more able to chart and illuminate 'extreme experience with a dazzling excess' (Deryn Rees-Jones), with startling humour and surprising combinations of homely and outlandish. Shortlisted for the Roehampton Poetry Prize.","brand":"Selima Hill","offers":[{"title":"Default Title","offer_id":42960776134774,"sku":"9781780373058","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_594b1b8a-fd35-44af-b08e-573bdcbff53a.jpg?v=1767852454"},{"product_id":"the-anatomical-venus-9781780374697","title":"The Anatomical Venus","description":"An Anatomical Venus - which gives this book its title - was an eighteenth-century anatomical wax sculpture of an idealised woman, a heady mix of eroticism, death and biological verisimilitude. Venus could be opened up and pulled apart by all the men who studied her. She would give up her secrets the first time of asking. Helen Ivory’s new collection The Anatomical Venus examines how women have been portrayed as ‘other’; as witches; as hysterics with wandering wombs and as beautiful corpses cast in wax, or on mortuary slabs in TV box sets. A hanged woman addresses the author of the Malleus Maleficarum, a woman diagnosed with ‘Housewife Psychosis’ recounts her dreams to Freud, and a sex robot has the ear of her keeper. The Anatomical Venus imagines the lives of women sketched in asylum notes and pictures others shut inside cabinets of curiosity.","brand":"Helen Ivory","offers":[{"title":"Default Title","offer_id":42960777085046,"sku":"9781780374697","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_70254e89-6429-4ef1-a1c8-27523b6b2d6f.jpg?v=1767852681"},{"product_id":"carnac-9781852243937","title":"Carnac","description":"One of France’s most important modern poets, Eugène Guillevic (1907-97) was born in Carnac in Brittany, and although he never learned the Breton language, his personality is deeply marked by his feeling of oneness with his homeland. His poetry has a remarkable unity, driven by his desire to use words to bridge a tragic gulf between man and a harsh and often apparently hostile natural environment. For Guillevic, the purpose of poetry is to arouse the sense of Being. In this poetry of description – where entire landscapes are built up from short, intense texts – language is reduced to its essentials, as words are placed on the page ‘like a dam against time’. When reading these poems, it is as if time is being stopped for man to find himself again. Carnac (1961) marks the beginning of Guillevic’s mature life as a poet. A single poem in several parts, it evokes the rocky, sea-bound, unfinished landscape of Brittany with its sacred objects and its great silent sense of waiting. The texts are brief but have a grave, meditative serenity, as the poet seeks to effect balance and to help us ‘to make friends with nature’ and to live in a universe which is chaotic and often frightening. Introduction by Stephen Romer. French-English bilingual edition. Bloodaxe Contemporary French Poets: 9","brand":"Eugène Guillevic","offers":[{"title":"Default Title","offer_id":42960780525686,"sku":"9781852243937","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_6f9c6318-c8fa-4bbe-9984-89b987e19e47.jpg?v=1767852619"},{"product_id":"the-point-of-splitting-9781852246853","title":"The Point of Splitting","description":"From London's hospital wards to rural Italy and the Great Plains, Sally Read's first collection eulogises the emotional and physical borders we cross, whether in sexual surrender, the squeezing of a trigger, or the point at which skin is pierced by a needle. What results appeals to the thresholds at which we succumb to desire, love, or grief. Yet, ultimately, there is tenderness and acceptance as she considers what breaks us, and what binds.","brand":"Sally Read","offers":[{"title":"Default Title","offer_id":42960780591222,"sku":"9781852246853","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_a74ec264-7935-49cf-b345-16f0e1e2cfd2.jpg?v=1767853150"},{"product_id":"the-night-of-akhenaton-9781852246419","title":"The Night of Akhenaton","description":"Hungary’s Ágnes Nemes Nagy (1922-91) is one of Europe’s major modern poets. Her poems are clear and packed at once, monumental yet crystalline in their thought and organisation. The vast pressures of her nation’s troubled history find their equivalent in human feeling, voiced through the extraordinary compressed power and explosive formality of Nemes Nagy’s poetry. Her subjects include nature, myth and the vastnesses of geological time, but her manner is epic, tragic and epigrammatic.\n\nCo-editor of New Moon, the most important literary magazine in Hungary after the War, her own work was banned and the magazine closed in the 1950s, but both have had a lasting effect on later generations. Too distant, too unbending, too disdainful of popularity to be a popular writer, she was neverthless acclaimed as the most important Hungarian poet of the postwar period, and her influence has been as much a moral force (to do with integrity and intellectual passion) as a matter of range and technique.\n\nThis selection contains poems from all periods of Nemes Nagy’s output, from the 1940s to work written immediately prior to her death. It includes poems from her Akhenaton cycle where she grapples most intensely with history, responsibility and justice, carving a new theology or cosmology out of these desperately fissile forces. Identifying with the Egyptian boy-king, she looks to invent a necessary god; recalling the energies of the 1956 Uprising, she tries to ?nd rituals to articulate them – as her wild, wild thought is carved into large, clear, rational forms.","brand":"Ágnes Nemes Nagy","offers":[{"title":"Default Title","offer_id":42960781344886,"sku":"9781852246419","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_69b306b1-6d9d-4c38-a1d2-b4f38edeec7c.jpg?v=1767852642"},{"product_id":"27315-9781852246792","title":"–273.15","description":"After mapping Britain’s national decline over thirty years through 25 books of poetry, Peter Reading reinvented himself as a writer in his 21st-century work. The bitter social critic became poetry’s Millennial prophet of doom, directing his venom and sorrow at the destruction of the world’s wildlife and environment. -273.15 [absolute zero] was his first new collection after his three-volume Collected Poems. The book is a lament, a tirade, a disaster warning, and an anthropologist’s catalogue of our final expedition addressed to an earlier survivor of global catastrophe, Noah of the Flood. He published his final collection, Vendange Tardive, in 2010.","brand":"Peter Reading","offers":[{"title":"Default Title","offer_id":42960781672566,"sku":"9781852246792","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_be6b8389-f88d-46cf-bae8-2f6f8bf98a98.jpg?v=1767852996"}],"url":"https:\/\/ingramacademic.com\/collections\/bloodaxe-books.oembed","provider":"Ingram Academic \u0026 Professional","version":"1.0","type":"link"}