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They obey a “bedouin” impulse of their own—fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book’s cross-cultural weave.\u003c\/p\u003e\u003cp\u003eThe poems track variances of union and disunion—social, sexual, mystic, mythic—both formally and in their content. They return rhapsody to its root sense: stitching together. 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Rather, his stories convey a mercilessly sardonic view of family and society, and his ingenious array of anti-heroes embodies a conspicuous disdain for convention.\u003c\/p\u003e\n\u003cp\u003eHere, in eight masterly stories that are as cruel and pitiless as they are hilarious, he explores the complexities of love and human relationships. These fiercely funny picaresque adventures are peopled with characters who inspire feelings of both solidarity and derision, but let the reader beware: just when you find yourself laughing out loud, you might recognize your reflection in the funhouse mirror.\u003c\/p\u003e\n\u003cp\u003e\"Francisco Hinojosa's stories are like a Mozart overture executed by a crazed orchestra playing noisemakers instead of violins.\" — Giullermo Sheridan\u003c\/p\u003e\n\u003cp\u003e\"Known as the Mexican Brother Grimm, Hinojosa is internationally recognized for his children's fairy tales (\u003ci\u003eThe Old Lady Who Ate People\u003c\/i\u003e). This collection offers eight of his brief experimental fables for adults contending with the absurdities of 20th-century life. . . . this a spirited and amusing book. In a new version of the creation story, God, bored by a regime of 'loneliness and silence' he has impetuously imposed, grows desperate to hear anything: 'he'd even be content with a poetry reading.' In another tale, an artist confesses a tryst to his wife because he had 'always believed that women can tell when a man has slept with an actress.' The translation is generally solid, especially given the challenges of experimental fiction. One hopes that more of Hinojosa's grown-up fables will be made available in English.\"--\u003ci\u003ePublishers Weekly\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\"A bright star in the Mexican literary firmament can now be enjoyed by U.S. readers in this first English translation of Hinojosa's work. 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Moïse takes up the complexities of Haitian culture, the immigrant experience, sexuality and gender, and bearing witness. Highly recommended.\"—\u003cb\u003eRoxane Gay\u003c\/b\u003e, author of \u003ci\u003eBad Feminist\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e\"With a bold, unblinking eye, Lenelle Moïse shows us the tragic yet beautiful world in which we live and challenges us not to turn away, but to turn towards with hope, compassion, and love. With all my heart, I thank her for writing these poems.\"—\u003cb\u003eLesléa Newman\u003c\/b\u003e, author of \u003ci\u003eOctober Mourning, A Song for Matthew Shepard\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e\"\u003ci\u003eHaiti Glass \u003c\/i\u003eis a book fierce with ambition: make the reader feel Haiti, make the reader think Haiti, make the reader understand Haiti. Lenelle Moïse's poems render the abstract- policy, disaster, history, diaspora- specific. 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The essays are eye-openers, expressed in straightforward, smooth prose that entertains as it informs. If you enjoy a fresh perspective on contemporary issues, or if you want information on issues that may have been hidden or glossed over by the media, pick up Parenti!\u003c\/p\u003e\u003cp\u003e\"Parenti is a genuinely interesting guy, and when he writes about his own experiences, he's extremely effective. It's impossible not to sympathize with a man being blacklisted from academia because of his political beliefs, or with the kid who has to watch his dad's bakery forced out of business by the big chains. The points that Parenti raises in his essays are almost unfailingly thought-provoking.\" —\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eMichael Parenti, PhD Yale, is an internationally known author and lecturer. He is one of the nation's leadiing progressive political analysts. He is the author of over 275 published articles and twenty books. His writings are published in popular periodicals, scholarly journals, and his op-ed pieces have been in leading newspapers such as the New York Times and the Los Angeles Times. His informative and entertaining books and talks have reached a wide range of audiences in North America and abroad.\u003c\/p\u003e","brand":"Michael Parenti","offers":[{"title":"Default Title","offer_id":42955946786934,"sku":"9780872863170","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_d06e9ff2-88b5-4c44-8ba1-d07f0a410b2c.jpg?v=1767724938"},{"product_id":"orphic-songs-9780872863408","title":"Orphic Songs","description":"\u003cdiv\u003e\n\u003cp\u003eDino Campana wrote the unique, visionary masterwork of Italian literature Orphic Songs when he was in his twenties. The originality, rapturous language, and strange beauty of his poetry make him as important to twentieth-century poetry as García Lorca or Mayakovsky. 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Literature about Indians was first written and published in order to provoke and sanctify warfare against them. Later, the focus changed to enlisting public support for “civilizing the savages,” stripping them of their culture and assimilating them into the dominant society. Now, in the final stages of cultural genocide, it is the appropriation and stereotyping of Native culture that establishes control over knowledge and truth.\u003c\/p\u003e\u003cp\u003eThe primary means by which this is accomplished is through the powerful publishing and film industries. Whether they are the tragically doomed “noble savages” walking into the sunset of \u003cem\u003eDances With Wolves\u003c\/em\u003e or Carlos Castaneda's Don Juan, the exotic mythical Indians constitute no threat to the established order.\u003c\/p\u003e\u003cp\u003eLiterature and art crafted by the dominant culture are an insidious political force, disinforming people who might otherwise develop a clearer understanding of indigenous struggles for justice and freedom. This book is offered to counter that deception, and to move people to take action on issues confronting American Indians today.\u003c\/p\u003e\u003cp\u003e\"One of the most outspoken of current Native American activists, Churchill . . . is an amazingly consistent and perceptive writer.\"—\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\"Ward Churchill has long since proven himself to be one of the most eloquent and powerful spokes[people] for American Indian rights.\"—Russell Means\u003c\/p\u003e\u003cp\u003eWard Churchill has achieved an unparalleled reputation as a scholar-activist and analyst of indigenous issues. He is a political activist and an author of numerous books, including \u003cem\u003eA Little Matter of Genocide\u003c\/em\u003e, \u003cem\u003eStruggle for the Land\u003c\/em\u003e, and \u003cem\u003eFantasies of the Master Race\u003c\/em\u003e.\u003c\/p\u003erd Churchill looks at representations of American Indians in literature and film, delineating a history of cultural propaganda that has served to support the continued colonization of Native America.\u003cp\u003eDuring each phase of the genocide of American Indians, the media has played a critical role in creating easily digestible stereotypes of Indians for popular consumption. Literature about Indians was first written and published in order to provoke and sanctify warfare against them. Later, the focus changed to enlisting public support for “civilizing the savages,” stripping them of their culture and assimilating them into the dominant society. 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