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His is an astonishing life told beautifully by his daughter Zochada Tat and Addi Somekh. The book will grip you from its first pages and not let you go.\"\u003cbr\u003e\u003c\/b\u003e\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cfont face=\"arial, sans-serif\"\u003e\u003cb\u003e—Jeff Chang, author of \u003cem\u003eWater Mirror Echo: Bruce Lee and the Making of Asian America \u003c\/em\u003e and \u003cem\u003eCan’t Stop Won’t Stop: A History of the Hip-Hop Generation\u003c\/em\u003e\u003c\/b\u003e\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cfont face=\"arial, sans-serif\"\u003eOum Ry (b.1944) \u003cspan\u003eis a former international champion kickboxer who first brought the Cambodian martial art Pradal Serey to the United States\u003c\/span\u003e. 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A few years ago, he was studying to be a nurse. But when war broke out in Syria, he took a different path. He chose to join antigovernment protests and tell the world the story of an uprising that became a civil war. Years of conflict turned him from an eyewitness into a frontline war reporter. This new role of his brought added risk, for himself, and for his friends and colleagues. Sometimes they would go towards the bombs, sometimes the bombs would come towards them.\"\u003cbr\u003e\u003cb\u003e—\u003ci\u003eNew York Times\u003c\/i\u003e documentary \"Dying to Be Heard: Reporting Syria's War\"\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAbdullah became a trusted voice on social media, where he joined the ranks of cyber-dissenters and reported from the battlefields. After the brutal siege of Homs in 2013, Abdullah fled north to Idlib Province among the rebel factions, which posed their own dangers to young reporters. 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This research process, which readers experience vicariously, makes Wyeth’s prose exhilarating as tiny details become breakthroughs of grand proportions. […] For late architect and painter Jean Welz, designs should reflect one’s aesthetic \u003cem\u003eand \u003c\/em\u003epolitical commitments. This narrative will resonate with anyone interested in the politics of architecture, or the pursuit of knowledge at large.\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e—Hyperallergic \u003c\/strong\u003e\u003cb\u003e\"\u003c\/b\u003e\u003c\/em\u003e\u003cspan\u003e\u003cb\u003eBEST ART BOOKS OF 2022\"\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eWelz’s having been “lost” is indeed a travesty of architectural history to which the book serves as a welcome antidote.\u003cbr\u003e\u003cem\u003e\u003cstrong\u003e—Artforum\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA leading painter still highly regarded in South Africa, Jean Welz's prior architectural career has been virtually unknown until a string of discoveries unfolded for author and filmmaker Peter Wyeth, allowing him to narrate this amazing true tale of genius. \u003cspan\u003eTrained in ultra-sophisticated, but conservative Vienna, Welz was sent to Paris for the 1925 \u003c\/span\u003e\u003ci\u003eArt Deco\u003c\/i\u003e\u003cspan\u003e exhibition by his influential employer, renowned architect Josef Hoffmann. 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This intriguing visual title looks deep into the underbelly of football (soccer) fandom, featuring a vast photographic archive of fans' graffiti and street art captured by a pioneering ‘graffitologist’. At the intersection of the street and sport we find themes of the day: how racial, ethnic, and class tensions play out in visual culture.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn the fringe of sports culture are the Ultras, the football fans whose pyrotechnics, chants, wildly creative stunts, and hooliganism are infamous. Using selections from his archive containing hundreds of photographs of Ultras' street art and graffiti, including everything from elaborate murals to stickers to “scratchitto” incisions and spray-paint duels, award-winning author Mitja Velikonja introduces readers to the visual iconography of a fascinating underworld.\u003c\/p\u003e\n\u003cp\u003eThe Ultra subculture is built by “no-bodys,” the anonymous (primarily) men whose attachments to their teams, specifically in Europe and post-socialist states, sometimes cross the lines into nationalist sentiments and militaristic “Blood and Soil” extremism. After examining general themes and trends in street art and \u003cem\u003etifo\u003c\/em\u003e club graffiti, Velikonja embarks on a case study of fans from his native Slovenia and touches on the roles of neighboring football fans in the Balkan Wars. 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