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Ní Dochartaigh asks us to reclaim our landscape through language and study, and remember that the land we fight over is much more than lines on a map. It will always be ours, but—at the same time—it never really was.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Kerri ní Dochartaigh","offers":[{"title":"Default Title","offer_id":42959835857014,"sku":"9781639550623","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_75811118-5493-4961-b1f3-e9407a9565df.jpg?v=1767775079"},{"product_id":"real-phonies-and-genuine-fakes-9781571315397","title":"Real Phonies and Genuine Fakes","description":"\u003cb\u003eWhat is illusion—a deception, or a revelation? What is a poem—the truth, or “a diverting flash, \/ a mirror showing everything \/ but itself”?\u003c\/b\u003e\u003cp\u003e\u003cspan\u003eNicky Beer’s latest collection of poems is a labyrinthine academy specializing in the study of subterfuge; Marlene Dietrich, Dolly Parton, and Batman are its instructors. With an energetic eye, she thumbs through our collective history books—and her personal one, too—in an effort to chart the line between playful forms of duplicity and those that are far more insidious.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThrough delicious japery, poems that can be read multiple ways, and allusions ranging from Puccini’s operas to Law \u0026amp; Order\u003c\/span\u003e\u003cspan\u003e, Beer troubles the notion of truth. Often, we settle for whatever brand of honesty is convenient for us, or whatever is least likely to spark confrontation—but this, Beer knows, is how we invite others to weigh in on what kind of person we are. This is how we trick ourselves into believing they’re right. “Listen \/ to how quiet it is when I lose the self-doubt played \/ for so long I mistook it for music.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eReal Phonies and Genuine Fakes\u003c\/i\u003e\u003cspan\u003e asks us to look through the stereoscope: which image is the real one? This one—or this one, just here? 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They move with and within the beautiful nothing (“of buzzing light”) from which, as she elaborates, everything jumps.\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn language that is both bracingly new and embracingly intimate, Emerson invites us to “dive down to the beautiful muck that helps you get that the world was made from the garbage at the bottom of the universe that was boiling over with joy that wanted to become you you you yes yes yes.” These poems are encounters—animal, vegetal, elemental—that form the markings of an irresistible future. And \u003c\/span\u003e\u003ci\u003eThe Kissing of Kissing\u003ci\u003e makes joyously clear how this future, which can sometimes seem light-years away, is actually as close, as near, as each immersive now. 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Death visits and lingers. Belief proves, again and again, that belief alone is not enough.\u003cbr\u003e\u003cbr\u003e\n\n\n\nYet miraculously, one might still manage to seek—propelled by love, or hope, or sometimes only momentum—something better. There is a place where there are no futile longings, no persistent institutional threats to one’s life. 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Shortly thereafter, poets and friends Marilyn Hacker and Karthika Naïr—living mere miles from each other but separated by circumstance, and spurred by this extraordinary time—began a correspondence in verse.\u003cbr\u003e\u003cbr\u003e\n\nRenga, an ancient Japanese form of collaborative poetry, is comprised of alternating tanka beginning with the themes of tōki and tōza: this season, this session. Here, from the “plague spring,” through a year in which seasons are marked by the waxing and waning of the virus, Hacker and Naïr’s renga charts the “differents and sames” of a now-shared experience. Their poems witness a time of suspension in which some things, somehow, press on relentlessly, in which solidarity persists—even thrives—in the face of a strange new kind of isolation. Between “ten thousand, yes, minutes of Bones,” there’s cancer and chemotherapy and the aches of an aging body. There is grief for the loss of friends nearby and concern for loved ones in the United States, Lebanon, and India. And there is a deep sense of shared humanity, where we all are “mere atoms of water, \/ each captained by protons of hydrogen, hurtling earthward.”\u003cbr\u003e\u003cbr\u003e\n\nAt turns poignant and playful, the seasons and sessions of \u003ci\u003eA Different Distance\u003c\/i\u003e display the compassionate, collective wisdom of two women witnessing a singular moment in history.","brand":"Marilyn Hacker","offers":[{"title":"Default Title","offer_id":42959839985782,"sku":"9781571315519","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_a7fb44c7-c179-4761-9a9f-493d166fec98.jpg?v=1767773415"},{"product_id":"saga-boy-9781571311917","title":"Saga Boy","description":"“Singularly dazzling . . . 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Now more than sixty of those pieces have been brought together in this sparkling new collection.\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp class=\"xmsonormal\"\u003e“People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In \u003ci\u003eGraceland, At Last\u003c\/i\u003e, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.\u003c\/p\u003e\u003cp class=\"xmsonormal\"\u003eIn a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. 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To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not \/ care to be seen as symbols”?\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eWith Limón’s remarkable ability to trace thought, \u003ci\u003eThe Hurting Kind\u003c\/i\u003e explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. 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Death visits and lingers. Belief proves, again and again, that belief alone is not enough.\u003cbr\u003e\u003cbr\u003e\n\n\n\nYet miraculously, one might still manage to seek—propelled by love, or hope, or sometimes only momentum—something better. There is a place where there are no futile longings, no persistent institutional threats to one’s life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. “A current \/ gives as much as it has,” writes Charles—despite fire, despite loss.\u003cbr\u003e\u003cbr\u003e\n\n\n\nHarrowing and gorgeous, \u003ci\u003ea Year \u0026amp; other poems\u003c\/i\u003e is an astonishing new collection from a poet of “unusual beauty and lyricism” (\u003ci\u003eNew Yorker\u003c\/i\u003e).","brand":"Jos Charles","offers":[{"title":"Default Title","offer_id":42959845261430,"sku":"9781639550227","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_a5cac6c3-f64c-4f78-8e0b-3eb6dd9c7949.jpg?v=1767774747"},{"product_id":"human-resources-9781571315182","title":"Human Resources","description":"\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e\u003cfont face=\"arial, sans-serif\"\u003eWinner of the Max Ritvo Poetry\nPrize, Ryann Stevenson’s \u003ci\u003eHuman Resources\u003c\/i\u003e is\u003ci\u003e \u003c\/i\u003ea sobering and\nperceptive portrait of technology’s impact on connection and power.\u003c\/font\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003eHuman Resources \u003c\/i\u003e\u003cspan\u003efollows\na woman working in the male-dominated world of AI, designing women that don’t\nexist. In discerning verse, she \u003c\/span\u003e\u003cspan\u003eworkshops the\nfacial characteristics of a floating head named “Nia,” who her boss calls “his\ntype”; she loses hours researching “June,” an oddly sexualized artificially\nintelligent oven; and she spends a whole day “trying to break” a female\nself-improvement bot.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe\nspeaker of Stevenson’s poems grapples with uneasiness and isolation, even as\nshe endeavors to solve for these problems in her daily work. She attempts to\nharness control by eating clean, doing yoga, and searching for age-defying skin\ncare, though she dreams “about the department \/ that women get reassigned to\nafter they file \/ harassment complaints.” With sharp, lyrical intelligence, she\nimagines alternative realities where women exist not for the whims of men but\nfor their own—where they become literal skyscrapers, towering over a world that\nnever appreciated them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eChilling and lucid, \u003ci\u003eHuman\nResources \u003c\/i\u003echallenges \u003c\/span\u003e\u003cspan\u003ethe minds programming our present and future to consider\nwhat serves the collective good. 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Kate’s shadow hovers like a penumbra over these pages that unfold a kaleidoscope of her world. A small-town apartment full of “paintings \u0026amp; burritos \u0026amp; pyramid-shaped empty bottles of Patron \u0026amp; an ad hoc anthology of vibrators.” A banged-up Jeep, loose syringes underfoot, rattles under Colorado skies. Near an ICU bed, Pavlić agonizes over the most difficult questions, while doctors “swish off to the tune of their thin-soled leather loafers.” And a diary, left behind, brims with revelations of vulnerability nearly as great as Pavlić’s own.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBut \u003c\/span\u003e\u003ci\u003eCall It in the Air \u003c\/i\u003e\u003cspan\u003erecords more than a relationship between brother and sister, more than a moment of personal loss. “I sit while eleven bodies of mine fall all over the countless mysteries of who you are,” he writes, while “Somewhere along the way, heat blasting past us \u0026amp; out the open jeep, the mountain sky turned to black steel \u0026amp; swung open its empty mouth.” In moments like these, Pavlić recognizes something of his big sister everywhere.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRived by loss and ravaged by grief, \u003c\/span\u003e\u003ci\u003eCall It in the Air \u003c\/i\u003e\u003cspan\u003emingles the voices of brother and sister, one falling and one forgiven, to offer an intimate elegy that meditates on love itself.  \u003c\/span\u003e\u003c\/p\u003e","brand":"Ed Pavlić","offers":[{"title":"Default Title","offer_id":42959848046710,"sku":"9781571315489","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_4995d956-50be-4743-8f0f-735ba079c22c.jpg?v=1767774501"},{"product_id":"black-observatory-9781639550265","title":"Black Observatory","description":"\u003cb\u003eTelescopes aim to observe the light of the cosmos, but Christopher Brean Murray turns his powerful lens toward the strange darkness of human existence in Black Observatory, selected by Dana Levin as winner of the Jake Adam York Prize. \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e With speakers set adrift in mysterious settings—a motel in the middle of a white-sand desert, a house haunted by the ghost of a dead writer, an abandoned settlement high in the mountains, a city that might give way to riotous forest—Black Observatory upends the world we think we know. Here, an accident with a squirrel proves the least bizarre moment of a day that is ordinary in outline only. The future is revealed in a list of odd crimes-to-be. And in a field of grasses, a narrator loses himself in a past and present “human conflagration \/ of desire and doubt,” the “path to a field of unraveling.”\u003c\/p\u003e\u003cp\u003eUnraveling lies at the heart of these poems. Murray picks at the frayed edges of everyday life, spinning new threads and weaving an uncanny and at times unnerving tapestry in its place. He arranges and rearranges images until the mundane becomes distorted: a cloud “stretches and coils and becomes an intestine \/ embracing the anxious protagonist,” thoughts “leap from sagebrush \/ like jackrabbits into your high beams,” a hot black coffee tastes “like runoff from a glacier.” In the process, our world emerges in surprising, disquieting relief.\u003c\/p\u003e\u003cp\u003eSimultaneously comic and tragic, playful and deeply serious, Black Observatory is a singular debut collection, a portrait of reality in penumbra.\u003c\/p\u003e","brand":"Christopher Brean Murray","offers":[{"title":"Default Title","offer_id":42959853158518,"sku":"9781639550265","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_b7ad1ceb-a786-44c2-baa3-e6911f2c646b.jpg?v=1767776748"},{"product_id":"rose-quartz-9781571315434","title":"Rose Quartz","description":"\u003cb\u003eA wild, seductive debut collection that presents a powerful journey of struggle and healing—and a spellbinding brew of folklore, movies, music, and ritual.\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003e“Draw me encircled \/\/ in something \/\/ other than gasoline.” The poems of Rose Quartz hum with the naked energy of one who has found her way home after a journey rife with difficulty and who has the scars to show for it. In them, Sasha taqwšəblu LaPointe moves from intimate scenes of peril—a car accident, an unwelcome advance at a party, a miscarriage—to the salvific, exhilarating punk scene of the Pacific Northwest and the centering shores of her Coast Salish ancestors. Along the way, she peers into the darker corners of her own search for belonging, and finds there glittering stones dense with meaning and the power to move forward.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cp\u003e\u003cspan\u003eAs game to follow a beckoning Laura Palmer into the burning woods as she is to step into the shoes of Little Red Riding Hood as she lays waste to her wolf, LaPointe explores the sublime space between beauty and danger through lush, almost baroque, use of folktale and color. Red, white, blue, and an amalgam that is none of the above—rose—vie for the speaker’s embrace as a mixed-race woman. Here, poems become offerings, rituals, incantations conjured in the name of healing and power.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eLike the stones and cards laid on an altar, \u003c\/span\u003e\u003ci\u003eRose Quartz\u003c\/i\u003e\u003cspan\u003e offers a reading at the intersection of identity and myth, trauma and truth, telling the story of past, present, and future.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sasha taqwšəblu LaPointe","offers":[{"title":"Default Title","offer_id":42959854600310,"sku":"9781571315434","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_20f8dd9f-bb22-4584-a19e-edbb89efe52b.jpg?v=1767776834"},{"product_id":"return-flight-9781571315281","title":"Return Flight","description":"\u003cb\u003eSelected by Jos Charles as the winner of the 2021 Ballard Spahr Prize for Poetry, \u003ci\u003eReturn Flight\u003ci\u003e \u003c\/i\u003e\u003c\/i\u003eis a lush reckoning: with inheritance, with body, with trauma, with desire—and with the many tendons in between.\u003cb\u003e\u003cbr\u003e\u003cbr\u003e When \u003ci\u003eReturn Flight\u003c\/i\u003e asks “what name \/ do you crown yourself,” Huang answers with many. Textured with mountains—a folkloric goddess-prison, Yushan, mother, men, self—and peppered with shapeshifting creatures, spirits, and gods, the landscape of Jennifer Huang’s poems is at once mystical and fleshy, a “myth a mess of myself.” Sensuously, Huang depicts each of these not as things to claim but as topographies to behold and hold. \u003cbr\u003e\u003cbr\u003e Here, too, is another kind of mythology. Set to the music of “beating hearts \/ through objects passed down,” the poems travel through generations—among Taiwan, China, and America—cataloging familial wounds and beloved stories. A grandfather’s smile shining through rain, baby bok choy in a child’s bowl, a slap felt decades later—the result is a map of a present-day life, reflected through the past.\u003cbr\u003e\u003cbr\u003e \u003ci\u003eReturn Flight \u003c\/i\u003eis a thrumming debut that teaches us how history harrows and heals, often with the same hand; how touch can mean “purple” and “blue” as much as it means intimacy; and how one might find a path toward joy not by leaving the past in the past, but by “[keeping a] hand on these memories, \/ to feel them to their ends.”\u003c\/b\u003e\u003c\/b\u003e","brand":"Jennifer Huang","offers":[{"title":"Default Title","offer_id":42959856304246,"sku":"9781571315281","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_a281dc71-b7dc-4f2d-9ea1-9a6202ef00ee.jpg?v=1767774217"},{"product_id":"you-can-be-the-last-leaf-9781571315403","title":"You Can Be the Last Leaf","description":"\u003cb\u003e\u003cspan\u003eFinalist for the 2022 National Book Critics Circle Award in Translation\u003c\/span\u003e\u003c\/b\u003e\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cb\u003eTranslated from the Arabic and introduced by Fady Joudah, \u003ci\u003eYou Can Be the Last Leaf\u003c\/i\u003e draws on two decades of work to present the transcendent and timely US debut of Palestinian poet Maya Abu Al-Hayyat.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\n\nArt. Garlic. Taxis. Sleepy soldiers at checkpoints. The smell of trash on a winter street, before “our wild rosebush, neglected \/ by the gate, \/ blooms.” Lovers who don’t return, the possibility that you yourself might not return. Making beds. Cleaning up vomit. Reading recipes. In \u003ci\u003eYou Can Be the Last Leaf\u003cspan\u003e, these are the ordinary and profound—sometimes tragic, sometimes dreamy, sometimes almost frivolous—moments of life under Israeli occupation.\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\n\nHere, private and public domains are inseparable. Desire, loss, and violence permeate the walls of the home, the borders of the mind. And yet that mind is full of its own fierce and funny voice, its own preoccupations and strangenesses. “It matters to me,” writes Abu Al-Hayyat, “what you’re thinking now \/ as you coerce your kids to sleep \/ in the middle of shelling”: whether it’s coming up with “plans \/ to solve the world’s problems,” plans that “eliminate longing from stories, remove exhaustion from groans,” or dreaming “of a war \/ that’s got no war in it,” or proclaiming that “I don’t believe in survival.”\u003cbr\u003e\u003cbr\u003e\n\nIn \u003ci\u003eYou Can Be the Last Leaf\u003c\/i\u003e, Abu Al-Hayyat has created a richly textured portrait of Palestinian interiority—at once wry and romantic, worried and tenacious, and always singing itself.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Maya Abu Al-Hayyat","offers":[{"title":"Default Title","offer_id":42959861874806,"sku":"9781571315403","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_c18c0964-9980-44b4-95b4-cce8bc85ffcf.jpg?v=1767775778"},{"product_id":"these-trees-those-leaves-this-flower-that-fruit-9781571315410","title":"These Trees, Those Leaves, This Flower, That Fruit","description":"\u003cb\u003eKingsley Tufts Poetry Award Finalist\u003c\/b\u003e\u003cp\u003e\u003cb\u003eA thoughtful new collection of poems, one that deconstructs the deceptively simple question of what it means to be good—a good person, a good citizen, a good teacher, a good poet, a good father.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\n\n\n\nWith \u003ci\u003eThese Trees, Those Leaves, This Flower, That Fruit\u003c\/i\u003e, Hayan Charara presents readers with a medley of ambitious analyses, written in characteristically wry verse. He takes philosophers to task, jousts with academics, and scrutinizes hollow gestures of empathy, exposing the dangers of thinking ourselves “separate \/ from [our] thoughts and experiences.” After all, “No work of love \/ will flourish out of guilt, fear, or hollowness of heart.” But how do we act on fullness of heart? How, knowing as we do that “genocide is inscribed in our earliest and holiest texts”?\u003cbr\u003e\u003cbr\u003e\n\n\n\nThoughtful but never preachy, Charara sits beside us, granting us access to life’s countless unglamorous dilemmas: crushing a spider when we promised we wouldn’t, nearing madness from a newborn’s weeping, resenting our lovers for what happened in a dream. “Good poems demand to be written from inside the poet,” we are reminded. 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Ní Dochartaigh asks us to reclaim our landscape through language and study, and remember that the land we fight over is much more than lines on a map. It will always be ours, but—at the same time—it never really was.","brand":"Kerri ní Dochartaigh","offers":[{"title":"Default Title","offer_id":42959874392182,"sku":"9781571311955","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_98bf8a7a-c43f-4e32-bbcc-c4b30c8966d7.jpg?v=1767780118"},{"product_id":"soil-and-spirit-9781571311979","title":"Soil and Spirit","description":"\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eAs a farmer with decades spent working in fields, Scott Chaskey has been shaped by daily attention to the earth. A leader in the international Community Supported Agriculture (CSA) movement, he has combined a longstanding commitment to food sovereignty and organic farming with a belief that humble attention to microbial life and diversity of species provides invaluable lessons for building healthy human communities.  \u003c\/b\u003e\u003c\/p\u003e\u003cp class=\"p2\"\u003e\u003cspan\u003eAlong the way, even while planning rotations of fields, ordering seeds, tending to crops and their ecosystems, Chaskey was writing. And in this lively collection of essays, he explores the evolution of his perspective—as a farmer and as a poet. Tracing the first stage in his development back to a homestead in Maine, on the ancestral lands of the Abenaki, he recalls learning to cultivate plants and nourish reciprocal relationships among species, even as he was reading Yeats and beginning to write poems. 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Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In \u003ci\u003eA Darker Wilderness\u003c\/i\u003e, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.\u003c\/p\u003e\u003cp\u003eErin Sharkey considers Benjamin Banneker’s 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on—with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy—unearthing evidence of the ways Black people’s relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.\u003c\/p\u003e\u003cp\u003eA scrapbook, a family chest, a quilt—and an astounding work of historical engagement and literary accomplishment—\u003ci\u003eA Darker Wilderness\u003c\/i\u003e is a collection brimming with abundance and insight.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Erin Sharkey","offers":[{"title":"Default Title","offer_id":42959885402230,"sku":"9781571313904","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/1374\/6550\/files\/CoreSourceHub_74b9ad53-a331-4660-9068-fe09eb630956.jpg?v=1767778598"}],"url":"https:\/\/ingramacademic.com\/collections\/milkweed-editions.oembed?page=4","provider":"Ingram Academic \u0026 Professional","version":"1.0","type":"link"}