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Hitchcock annual
Includes Hitchcockian narrative; Hitchcock and India dossier; essays on Alma Reville, Downhill, The Trouble with Harry, and Marnie, and reviews.
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International politics and film
International Politics and Film draws attention to how the relationship between the visual and the spatial is constitutive of international politics
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Anxious cinephilia
The advent of new screening practices and viewing habits in the twenty-first century has spurred debate over what it means to be a “cinephile.” Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the...
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Speaking in images
"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."—Ang Lee, from Speaking in ImagesSpeaking in Images offers an engaging and rare collection ...
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Postdramatic dramaturgies
This book compiles lectures by the world’s leading practitioners of postdramatic theater from East Asia and the German-speaking world, which were given at Asia’s only dramaturgy degree program at The Central Academy of Drama in Beijing 2018/19. It includes English-language scripts of the discusse...
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The cinema of george a. romero
Explores the relevance of Romero's films within American cultural traditions and explains the potency of such work beyond 'splatter movie' models.
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Performance spaces and stage technologies
The history of theater has often been written as a history of great writers, actors, or directors. This book takes a different approach: the contributors examine the history of performance from the perspective of theater spaces and stage technologies.
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Film censorship
Film Censorship is a concise overview of Hollywood censorship and efforts to regulate American films. Sheri Chinen Biesen unveils the behind-the-scenes history of cinema censorship and explore how Hollywood responded to censorial constraints on screen content in a changing cultural and industrial...
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Making worlds
Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge the twenty-first century's political trends. Through a new model of cinematic worldmaking, Making Worldsexamines how films produce unexpected and destabilizing affec...
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Audio-vision: sound on screen
Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the...
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Cultural diversity in motion
What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Bridging theory and practice, Özlem Canyürek introduces the concept of “thinking and acting interculturally” and proposes ways to achieve a fair and accessible perform...
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Maya deren
Maya Deren (1917–1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream...
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Pre-code hollywood
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of ...
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Horror film and otherness
Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other.
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What is japanese cinema?
What Is Japanese Cinema? is a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota Inuhiko considers films in light of both Japanese cultural particularities and cinema as a world...
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Bombay hustle
Debashree Mukherjee offers a panoramic history of early Bombay cinema and its consolidation in the 1930s. Bombay Hustle provides vital insight into practices of modernity and political, social, and technological change in late colonial India.
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Words on screen
A poetic investigation into the many ways that the written word is used in cinema
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Crooked, but never common
In Crooked, but Never Common, Stuart Klawans combines a critic’s insight and a fan’s enthusiasm to offer deeper ways to think about and enjoy Preston Sturges’s work. He provides an in-depth appreciation of all ten of the writer-director’s major movies.
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Glocal bodies
This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the choreographies of three female dancers in diaspora, Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displa...
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Film comedy
What exactly is film comedy and what is the basis for its widespread appeal? Film Comedy uses formal, socio-historical and industrial perspectives to answer this question. What, for example, is the basis of the appeal of gross-out comedy in films such as There's Something About Mary and American ...
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Programming the future
Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castl...
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Suzuki seijun and postwar japanese cinema
William Carroll offers a new account of Suzuki Seijun’s career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. This book presents both a major reinterpretation of Suzuki’s work and a new lens on postwar Japanese film culture and i...
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Film programming
Explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives
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Unspeakable histories
William Guynn reads seven films depicting atrocities, exploring the emotional resonance that still adheres to traumatic events and the dimensions of experience that historiography leaves untouched. Unspeakable Histories argues that the film medium triggers moments of heightened awareness in which...
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The cinema of louis malle
A pioneer of the French New Wave, Louis Malle went on to an acclaimed transatlantic career. This collection of essays reassesses his eclectic and subversive oeuvre to redress the critical neglect it has suffered. The volume features contributions from playwright John Guare and filmmakers Volker S...
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The cinema of steven spielberg
Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning a...
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Trash cinema
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the...
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Helen of troy in hollywood
How a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TVHelen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the...
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Electric sounds
Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the cinema. The 1920s and 1930s marked some of the most important developments in the history ...
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Italian neorealism
Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of th...
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A piece of the action
Eithne Quinn reveals how Hollywood catalyzed racial politics in the decade after the passage of the Civil Rights Act, through representation on screen as well as in battles over jobs and resources behind the scenes. Based on extensive archival research and detailed discussions of films, this book...
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Filmosophy
Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a...
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Kill the documentary
In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. In place of the conventional documentary, she advocates for a “postrealist” cinema.
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On the screen
Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. She challenges conventional narratives about the novelty of the twenty-first-century multiscreen enviro...
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Sex and the cinema
From the sanctioned to the forbidden, the suggestive to the blatant, evocations of sex have saturated cinema with a heady distillation of fleshly passions. Whether laced in the rapturous rhetorics of romance or seeking to pack a harder erotic punch, cinematic representations of sex and sexual des...
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The cinema of agnès varda
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films l...
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War cinema
An introduction to and overview of the Hollywood war movie, a linchpin in American cultural imagination. The book considers the history of this genre, one of continuing significance, from All Quiet on the Western Front (1930) to We Were Soldiers (2002). Guy Westwell focuses in particular on repre...
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Pretty
Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represents a long-standing Western aesthetic bias a...
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Wondrous difference
The ethical and ideological implications of cross-cultural image-making continue to stir debate among anthropologists, film scholars, and museum professionals. This innovative book focuses on the contested origins of ethnographic film from the late nineteenth century to the 1920s, vividly depicti...
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Cinephilia in the age of digital reproduction
For years, "cinephilia" has been a part of the theatrical experience, denoting a deep, even limitless passion for the medium. Cinephilia encompasses consuming, defining, sharing, discussing, and writing about films, but what happens when the experience of watching movies becomes something increas...
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Hollywood's embassies
Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick consider...
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Cultures of representation
Cultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe.
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Ansichten und absichten [german-language edition]
This volume collects some of Drehli Robnik's most significant scholarly essays, contributions to pop music magazines and film journals, and samples from his work as a philosophical "edutainer."
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The cinema of richard linklater
In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work, offering critical analysis of films including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater an...
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Essays on the essay film
This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by e...
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Introduction to documentary production
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The disappearing christ
Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizi...
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Vertigo
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. In doing so, Cavalletti brings out the vertiginous nature of identity.
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