Collection: University of California Press
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Drawing the line
Christina Bryan Rosenberger,Agnes Martin’s (1912–2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. Martin’s formative years, however, have been largely overlooked. In this revelatory study of Martin’s early artistic production, Chri...
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William kentridge
Leora Maltz-Leca,What does it mean to render the processes of making art—cutting, pasting, and projecting light—as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations o...
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Paik's virtual archive
Hanna B. Holling,In Paik’s Virtual Archive, Hanna B. Hölling contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. In Hölling’s discussion of works by Nam June Paik...
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Modernism and authority
Charles Palermo,Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestur...
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Empire and liberty
Virginia Scharff,Empire and Liberty brings together two epic subjects in American history: the story of the struggle to end slavery that reached a violent climax in the Civil War, and the story of the westward expansion of the United States. Virginia Scharff and the contributors to this volume show how the West ...
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Istanbul exchanges
Mary Roberts,In Istanbul Exchanges, Mary Roberts offers an innovative way of understanding Orientalism by shifting the focus from Europe to Istanbul and examining the cross-cultural artistic networks that emerged in that cosmopolitan capital in the nineteenth century. European Orientalist artists began trave...
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American artists against war, 1935 - 2010
David McCarthy,Beginning with responses to fascism in the 1930s and ending with protests against the Iraq wars, David McCarthy shows how American artists—including Philip Evergood, David Smith, H. C. Westermann, Ed Kienholz, Nancy Spero, Leon Golub, Chris Burden, Robert Arneson, Joyce Kozloff, Martha Rosler, an...
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Covered in time and history
Howard Oransky, Laura Wertheim Joseph, Lynn Lukkas, Raquel Cecilia Mendieta, Howard Oransky, John Perreault, Michael Rush, Rachel Weiss and moreBorn to a prominent family in Havana but exiled to the United States as a girl, Ana Mendieta (1948–1985) is regarded as one of the most significant artists of the postwar era. During her too-brief career, she produced a distinctive body of work that includes drawings, installations, performances,...
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Squatter's republic
Tamara Venit Shelton,Who should have the right to own land, and how much of it? A Squatter's Republic follows the rise and fall of the land question in the Gilded Age—and the rise and fall of a particularly nineteenth-century vision of landed independence. More specifically, the author considers the land question thr...
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Procession
Ruth Fine, David Acton, Andrianna Campbell, David C. Driskell, Jacqueline Francis, Helen M. Shannon, Jeffrey C. Stewart and moreThis beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909–1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over...
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Blue sky metropolis
Peter J. Westwick,Why did Southern California become the aerospace capital of the world? What were the consequences of this development for the region, for the nation, and for aerospace itself? Featuring essays by a multidisciplinary group of leading scholars and writers, this volume investigates the intersection ...
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Uncertain histories
Kate Palmer Albers,The compulsion to dwell on history—on how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made public—has been at the heart of artists’ engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installati...
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Alta california
Steven W. Hackel,Spanish California—with its diverse mix of Indians, soldiers, settlers, and missionaries—provides a fascinating site for the investigation of individual and collective identity in colonial America. Through innovative methodologies and extensive archival research, the nine essays in this volume re...
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500 capp street
Constance M. Lewallen, Carlie Wilmans, Jock Reynolds, John Ashbery,500 Capp Street tells the story of David Ireland’s house, a rundown Victorian in the Mission District of San Francisco that the artist transformed into an environmental artwork, taking the detritus of his restoration labors as well as objects left behind by previous owners and refashioning them ...
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Playing it straight
Jennifer A. Greenhill,Playing It Straight: Art and Humor in the Gilded Age offers a stunning new look at late-nineteenth-century American art, and demonstrates the profound role humor played in determining the course of culture in the Gilded Age. By showing how complex humorous strategies such as deadpan and burlesqu...
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David lynch: the unified field
Robert Cozzolino,David Lynch is internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of Lynch’s car...
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