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Kellie Wells is a writer of startling imagination whose "phantasmal stories," Booklist says, "shimmer with a dreamlike vibrancy." God, the Moon, and Other Megafauna, Wells's second collection of short stories and winner of the Richard Sullivan Prize in Short Fiction, is populated with the world's castoffs, cranks, and inveterate oddballs, the deeply aggrieved, the ontologically challenged, the misunderstood mopes that haunt the shadowy wings of the world?s main stage. Here you will find a teacup-sized aerialist who tries to ingest the world's considerable suffering; a lonely god growing ever lonelier as the Afterlife swells with monkeys and other improbable occupants; a father fluent in the language of the Dead who has difficulty communicating with his living son; and Death himself, a moony adolescent with a tender heart and a lack of ambition. God-haunted and apocalyptic, comic and formally inventive, these stories give lyrical voice to the indomitability of the everyday underdog, and they will continue to resonate long after the last word has been read.
"Wells's stories are as detail-dense and strange as an enchanted forest, and they are nothing that can or should be rushed through. . . . Like the best fairytales, these stories give character, form, and emotion to things that we fear or struggle to understand (such as God, death, loss, love), making these things more approachable—and sometimes nearly human—if no less mysterious." —Small Press Picks
Kellie Wells is the author of a previous collection of short fiction, Compression Scars, which was the winner of the Flannery O'Connor Award, and two novels, Skin and Fat Girl, Terrestrial, a finalist for the Paterson Prize in Fiction. A congenital Midwesterner, Wells currently lives in Tuscaloosa, where she is associate professor of English at the University of Alabama.