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Lasting Impressions

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Jesse Matz considers its two legacies—positive and negative—to explain impressionism’s true contemporary significance.
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  • 31 January 2017
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Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today.

Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement.

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Price: $65.00
Pages: 352
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Literature Now
Publication Date: 31 January 2017
Trim Size: 9.00 X 6.00 in
ISBN: 9780231164061
Format: Hardcover
BISACs:

LITERARY CRITICISM / European / French, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / American / General, ART / Movements / Modernism, ART / European / General, ART / Criticism & Theory, ART / History / 20th & 21st Century, PERFORMING ARTS / Film / History & Criticism

Lasting Impressions shrewdly explores a fascinating, strikingly under-researched topic, namely that impressionism remains a powerful cultural presence in ways that have tended to elude definition. Examining a variety of areas such as advertising, painting, music, and postcolonial and contemporary fiction, Jesse Matz argues that impressionism's seminal configuration of the project of modern representation has continued to shape cultural discourses and practices long after modernism. An extremely interesting and important work.
Jesse Matz is the William P. Rice Professor of English and Literature at Kenyon College. He is the author of The Modern Novel: A Short Introduction (2003) and Literary Impressionism and Modernist Aesthetics (2001).

Acknowledgments
Introduction
1. First and Lasting: Histories for the Tache
2. The Impressionist Advertisement
3. Photogénie from Renoir to Gance to Renoir
4. The "Image of Africa" from Conrad to Achebe to Adichie
5. Impressionist Fraud: Klein, Saito, Frey
6. Contemporary Impressions and Kitsch Aesthetics: Kinkade/Doig
7. The Pseudo-Impressionist Novel: Sebald, Tóibín, Cunningham
8. Thinking Medium: The Rhetoric of Popular Cognition
Conclusion
Notes
Index