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Sugawara and the Secrets of Calligraphy

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A complete translation of a major Japanese puppet drama written in 1746, with an investigation into the play's many authors and the use of bunraku puppets.
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  • 22 March 2016
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Sugawara and the Secrets of Calligraphy is a classic play from Japan's golden age of puppet theater. Written in the eighteenth century, it tells the tale of Sugawara no Michizane, a wronged scholar-official who, in death, joins the Shinto pantheon as a nurturer of scholarship and calligraphy. The story recounts Sugawara's entanglement with the powerful Fujiwara family, who accuse Sugawara of plotting against the emperor, resulting in his exile and death in 903. After a series of misfortunes befall those who conspired against him, Sugawara's enemies appease his spirit through deification. Sugawara and the Secrets of Calligraphy centers on three archetypical brothers and their wives. Their fates unfold against the intrigues surrounding Sugawara and his foes, which reflect the cultural values of the Edo period woven into a stylized past. This annotated translation by Stanleigh H. Jones Jr. replicates the play's poetic and idiomatic language and its original mix of register while also clarifying the drama's complex story and dialogue for students of Japanese literature and drama. An introduction situates the play within its eighteenth-century context and ninth-century setting and describes the relationship between bunraku puppet theater and kabuki. A unique illustrated appendix delves into the construction of puppets and the art of puppetry.
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Price: $32.00
Pages: 288
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Translations from the Asian Classics
Publication Date: 22 March 2016
Trim Size: 9.00 X 6.00 in
ISBN: 9780231059879
Format: Paperback
BISACs:

DRAMA / Asian / General, LITERARY CRITICISM / Asian / Japanese, DRAMA / Ancient & Classical

More than readable and accurate... the reader can even sense the different linguistic appeals that the narrative and dialogue portions of the play have for Japanese readers and spectators.
Stanleigh H. Jones Jr. is professor emeritus of Japanese at Pomona College. He studied Japanese at International Christian University in Tokyo and completed his Ph.D in Japanese literature at Columbia University. He is also the editor and translator of Yoshitsune and the Thousand Cherry Trees and the author of The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and Love in Four Plays of the Eighteenth and Nineteenth Centuries.

Acknowledgments
Introduction
Dramatic Personae
Prologue
Act I
Scene 1. The Imperial Palace
Scene 2. The Bank of the Kamo River
Scene 3. The Transmission of the Secrets
Scene 4. Before the Gate
Act II
Scene 1. The Journey—Sweet Words Exchanged
Scene 2. Yasui Beach: Awaiting the Tide
Scene 3. The Chastising
Scene 4. The Crowing of the Cock
Scene 5. Sugawara's Farewell
Act III
Scene 1. Tearing the Carriage Apart
Scene 2. Sata Village
Act IV
Scene 1. Mount Tenpai
Scene 2. North Saga Village
Scene 3. The Village School
Act V
Scene 1. Tumult in the Palace
A Note on the Puppets
Bibliography