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Voices of Labor

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Motion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality—all of which are sources of enormous pride among Hollywood’s craft and creat...
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  • 03 March 2017
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Motion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality—all of which are sources of enormous pride among Hollywood’s craft and creative workers. The interviews collected here showcase the ingenuity, enthusiasm, and aesthetic pleasures that attract people to careers in the film and television industries. They also reflect critically on changes in the workplace brought about by corporate conglomeration and globalization. Rather than offer publicity-friendly anecdotes by marquee celebrities, Voices of Labor presents off-screen observations about the everyday realities of Global Hollywood. Ranging across job categories—from showrunner to make-up artist to location manager—this collection features voices of labor from Los Angeles, Atlanta, Prague, and Vancouver. Together they show how seemingly abstract concepts like conglomeration, financialization, and globalization are crucial tools for understanding contemporary Hollywood and for reflecting more generally on changes and challenges in the screen media workplace and our culture at large. Despite such formidable concerns, what nevertheless shines through is a commitment to craftwork and collaboration that provides the means to imagine and instigate future alternatives for screen media labor.
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Price: $34.95
Pages: 284
Publisher: University of California Press
Imprint: University of California Press
Publication Date: 03 March 2017
Trim Size: 9.00 X 6.00 in
ISBN: 9780520295438
Format: Paperback
BISACs:

“In this volume, we find the off-screen workers talking with love and excitement about their craft, the skill taken to accomplish a task, and the precarious condition they now confront in Global Hollywood due to diffusion of labour. …The book stands out for being an exercise in method—how extensive and in-depth field interviews can illuminate certain conceptual in­terests of screen studies.”
Michael Curtin is Duncan and Suzanne Mellichamp Professor of Film and Media Studies and director of the Global Dynamics Initiative at University of California, Santa Barbara.

Kevin Sanson is a lecturer in the Creative Industries Faculty at Queensland University of Technology and managing editor of Media Industries.
Acknowledgments

1. Listening to Labor
by Michael Curtin and Kevin Sanson

Company Town

2. Editors’ Introduction
3. Mara Brock Akil, showrunner
4. Tom Schulman, screenwriter
5. Allison Anders, director
6. Lauren Polizzi, art director
7. Mary Jane Fort, costume designer
8. Anonymous, makeup artist
9. Stephen Lighthill, cinematographer
10. Calvin Starnes, grip
11. Steve Nelson, sound recordist
12. Rob Matsuda, musician

Global Machine

13. Editors’ Introduction
14. Anonymous, studio production executive
15. David Minkowski, service producer
16. Adam Goodman, service producer
17. Stephen Burt, production manager
18. Belle Doyle, location manager
19. Wesley Hagan, location manager

Fringe City

20. Editors’ Introduction
21. Scott Ross, VFX manager
22. Dave Rand, VFX artist
23. Mariana Acuña-Acosta, VFX artist
24. Daniel Lay, VFX artist
25. Steve Kaplan, union official
26. Dusty Kelly, union official

Appendix: Interview Schedule