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21 | 19
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13 August 2019

The nineteenth century is often viewed as a golden age of American literature, a historical moment when national identity was emergent and ideals such as freedom, democracy, and individual agency were promising, even if belied in reality by violence and hypocrisy. The writers of this “American Renaissance”—Thoreau, Fuller, Whitman, Emerson, and Dickinson, among many others—produced a body of work that has been both celebrated and contested by following generations.
As the twenty-first century unfolds in a United States characterized by deep divisions, diminished democracy, and dramatic transformation of identities, the co-editors of this singular book approached a dozen North American poets, asking them to engage with texts by their predecessors in a manner that avoids both aloofness from the past and too-easy elegy. The resulting essays dwell provocatively on the border between the lyrical and the scholarly, casting fresh critical light on the golden age of American literature and exploring a handful of texts not commonly included in its canon.
A polyvocal collection that reflects the complexity of the cross-temporal encounter it enacts, 21 | 19 offers a re-reading of the “American Renaissance” and new possibilities for imaginative critical practice today.
LITERARY CRITICISM / Modern / 21st Century, Literature: history & criticism, LITERARY CRITICISM / Modern / 19th Century, LITERARY COLLECTIONS / American / General, Literary essays, Literary theory
"Displaying a sophisticated sense of poetics as well as a good grasp of history and its implications for the present moment . . . [the editors] have done a remarkable job of bringing together such a challenging collection." —Harvard Review
Kristen Case is the author of the critical study American Pragmatism and Poetic Practice: Crosscurrents from Emerson to Susan Howe. Her first poetry collection, Little Arias, won the Maine Literary Award for Poetry in 2016, and her second collection, Principles of Economics, won the 2018 Gatewood Prize. She is co-editor of Thoreau at 200: Essays and Reassessments and director of Thoreau’s Kalendar: A Digital Archive of the Phenological Manuscripts of Henry David Thoreau. She teaches at the University of Maine at Farmington, where she is director of the New Commons Project, a public humanities initiative sponsored by the Mellon Foundation. She lives in Temple, Maine.
Foreword, Approximity (in the life, her attempt to bring the life of her mother close
Fred Moten
Introduction, Unsettling Proximities
Kristen Case and Alexandra Manglis
Thinking as Burial Practice: Exhuming a Poetic Epistemology in Thoreau, Dickinson, and Emerson
Dan Beachy-Quick
Feeling the Riot: Fugitivity, Lyric, and Enduring Failure
José Felipe Alvergue
Essay in Fragments, a Pile of Limbs: Walt Whitman’s Body in the Book
Stefania Heim
Citation in the Wake of Melville
Joan Naviyuk Kane
Touching the Horror: Poe, Race, and Gun Violence
Karen Weiser
Homage to Bayard Taylor
Benjamin Friedlander
Revising The Waste Land: Black Antipastoral & The End of the World
Joshua Bennett
Henry Ossawa Tanner, 1859–1937: Night Over Night
Cole Swensen
Nights and Lights in Nineteenth Century American Poetics
Cecily Parks
The Earth Is Full of Men
Brian Teare
Making Black Cake in Combustible Spaces
M. NourbeSe Philip
“The Tinge Awakes”: Reading Whitman and Others in Trouble
Leila Wilson
Acknowledgments
Works Cited
Illustration Credits
Editors
Contributors