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Andrey Bely’s “Petersburg”
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31 May 2017

Literary studies: fiction, novelists and prose writers
“This collection of studies by American, British, Scandinavian, Russian and Israeli scholars is a welcome contribution to our knowledge of Belyi’s extraordinary novel. … What this collection does, and does brilliantly, is not so much to promote Petersburg to a wider readership as to provide a fascinating companion-guide, a complex and erudite Baedecker to the living world of Belyi’s invention, a guide which helps us situate it in its early twentieth-century Russian and European context.” —Avril Pyman, University of Durham, Slavonic and East European Review Vol. 96, No. 4
Acknowledgments
Vladimir Nabokov, “On Petersburg”
Introduction by Olga M. Cooke
Carol Anschuetz, “Bely’s Petersburg and the End of the Russian Novel”
Maria Carlson, “Andrei Bely’s Astral Novel: A Theosophical Reading of Petersburg”
Charlene Castellano, “Synesthesia as Apocalypse in Andrey Bely’s Petersburg”
Jacob Emery, “Kinship and Figure in Andrey Bely’s Petersburg”
Roger Keys, “Metafiction in Andrey Bely’s Novel Petersburg”
Timothy Langen, “Petersburg as a Historical Novel”
Aleksandr V. Lavrov, “Andrey Bely between Conrad and Chesterton”
Magnus Ljunggren, “The Bomb, the Baby, the Book”
Anna Ponomareva, “‘Know Thyself’: From the Temple of Apollo at Delphi to the Pages of Petersburg”
Ada Steinberg, “Fragmentary ‘Prototypes’ in Andrey Bely’s Novel Petersburg”
Adam Weiner, “The Enchanted Point of Petersburg”
Judith Wermuth-Atkinson, “Reality and Appearance in Petersburg and the Viennese Secession”
Contributors