Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
Price: $32.95
Pages: 528
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
08 November 2004
Trim Size: 9.00 X 6.00 in
ISBN: 9780520243835
Format: Paperback
BISACs:
"Definitive. . . . translated into fourteen languages, it is one of the most widely-read and influential art books of the century."
Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. His books include Film as Art (California, 1957), Visual Thinking (1969), The Dynamics of Architectural Form (California, 1977), The Split and the Structure: Twenty-eight Essays (California, 1996).