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Before Sound

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In Before Sound, composer Tiziano Manca investigates the relationship between sounding body and musician.
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  • 10 March 2026
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In Before Sound, composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production.
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Price: $55.00
Pages: 196
Publisher: transcript publishing
Imprint: transcript publishing
Publication Date: 10 March 2026
Trim Size: 10.91 X 8.27 in
ISBN: 9783837668865
Format: Paperback
BISACs:

MUSIC / History & Criticism, SOCIAL SCIENCE / Popular Culture, LANGUAGE ARTS & DISCIPLINES / Linguistics / General

Tiziano Manca, born in 1970, is a composer of vocal and instrumental music, including works for solo, ensemble, orchestra, and music theater. His music is performed at music festivals and concert halls worldwide by renowned contemporary music ensembles. Initially engaged in exploring the limits of acoustic instruments and human voice, he has lately turned his attention to the temporal and rhythmic dimension of music in relation to the musical instrument and the performer's gesture. Alongside his activity as a composer, Tiziano Manca works as a research artist at the Orpheus Institute in Ghent.

Frontmatter i
Contents vii
Acknowledgments xi
Introduction 1
Introduction 11
1.1 Elements and Matter 11
1.2 Aristoxenus' Elements of Music 17
1.3 Transmission and Reception 21
1.4 Elements, Letters, Notes 28
Introduction 37
2.1 Dissonant Material 37
2.2 Sound and Composition 43
2.3 Given or Constructed? 51
2.4 Timbre, Noise, and Language 60
Introduction 69
3.1 Material and Modernity 70
3.2 Taking Place 75
3.3 Aperiodic Rhythms 87
3.4 Quasiperiodic Forms 96
Introduction 113
4.1 Pitched Bodies 114
4.2 Sounds without Bodies 119
4.3 Reference 122
4.4 Agent and Reproducibility 125
4.5 Sonocentrism 128
Introduction 133
5.1 Bodies without Sound 133
5.2 Composing a Gesture 139
Conclusions 159
List of Works 165
Abbreviations 169
Reference List 171