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We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.
Price: $55.00
Pages: 268
Publisher: transcript publishing
Imprint: transcript publishing
Publication Date:
13 September 2022
Trim Size: 8.86 X 5.83 in
ISBN: 9783837661972
Format: Paperback
BISACs:
»Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«
— Fatma Sagir
— Fatma Sagir
Lisa Gotto Lisa Gotto is Professor of Film Theory at the University of Vienna. Her research spans the fields of digital media culture, film studies, game studies, and comparative media studies.
Frontmatter 1
Contents 5
Introduction 7
Fantastic Views 17
Attraction, Simulation, Speculation 37
Incorporations 53
Dimension and Duration 71
The (Imaginary) Man of (Hollywood) Cinema 89
Back to the Beginning 101
Scars and Screens 109
Prescripts and Postscripts 129
Tipp-Ex 147
Micro Movies 161
Strike a Pose 175
Instagramming 191
Right here, Right now 203
Types and Bytes 211
Touch / Don't Touch 229
Going in Circles 247
Publication Data 261
List of Figures 265