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What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, Özlem Canyürek introduces the concept of ›thinking and acting interculturally‹ and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society.
Price: $55.00
Pages: 284
Publisher: transcript publishing
Imprint: transcript publishing
Publication Date:
26 April 2022
Trim Size: 8.86 X 5.83 in
ISBN: 9783837660173
Format: Paperback
BISACs:
Özlem Canyürek is a cultural policy researcher and lecturer. She studied sociology, cultural management, and cultural policy in Istanbul. In 2021 she completed her doctorate at the Institute of Cultural Policy at Universität Hildesheim. Her research areas include critical diversity discourses in cultural policy and the pluralisation of the German performing arts scene. She teaches on diversity-led perspectives and intercultural approaches in cultural policy, performing arts, and cultural education.
Frontmatter 1
Contents 5
Acknowledgements 9
Inter-Cultural-Policy 11
1. Why Cultural Diversity in Performing Arts? 15
2. Cultural Policy, Systematic Exclusion, Structural Racism 41
3. Integration, Intercultural Management, Migration Mainstreaming 77
4. Cultural Diversity, Inclusion Policy, Intercultural Dialogue 105
5. Federal Programmes, Intercultural and Transcultural Projects 127
6. Solidarity, Collective Thinking, Self-Empowerment 163
7. Intercultural Reorganisation in Performing Arts 215
Abbreviations 245
List of Tables 247
Reference List 249