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Culture Is the Body
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04 August 2015

"What takes my breath away most about Tadashi Suzuki's work is the precision and accuracy with which he manages time and space. For one-and-a-half to two hours, the use of sound, precise scene transitions and mammoth energy compressed through his singular directorial vision create a sustained power which blows the audience awaya shocking style requiring an exceptional attention and concentration from the viewer. His unique method of rigorous actor training has made him a grand master of the rarest variety, enabling him to maintain a company that continues to inspire the evolution of contemporary theatre in our ever-changing world." -Yuri Lubimov
"In America the theatre for the most part is naturalistic. People want to be comfortable. They want to identify immediately with the situation. They want everything finished, put in a box and wrapped up with a bow. But I believe, ideally, you want to leave the theatre still thinking about it, still questioning it. What I find exciting about Suzuki’s work is that we come into the theatre and we have a surprise. We have to think about what we have seen and we leave the theatre thinking about it. I believe that in a sense my work is similar to what Suzuki is doing in his work. Theatre that you have to rethink. It poses more questions than answers." -Robert Wilson
Renowned for his actor training methods, Tadashi Suzuki provides a thorough and accessible formulation of his ideas and beliefs in this new edition of his theater writings. One of the world's most revered theater directors, Suzuki is also a seminal thinker and practitioner whose work has had a profound influence on theater worldwide. This landmark collection provides a useful, provocative look at his philosophical and practical approaches to the stage. Culture is the Body is a complete revision of Suzuki's influential book The Way of Acting, featuring new essays and in a revised translation by Kameron Steele, a longtime collaborator of Suzuki's.
Tadashi Suzuki is the founder and director of the Suzuki Company of Toga (SCOT), the organizer of Japan's first international theater festival (Toga Festival), and the creator of the Suzuki Method of Actor Training. Suzuki has articulated his theories in a number of books. He has taught his system of actor training in schools and theaters throughout the world. Besides productions with his own company, he has directed several international collaborations.
PERFORMING ARTS / Theater / History & Criticism, PERFORMING ARTS / Theater / Stagecraft & Scenography, PERFORMING ARTS / Theater / General, PERFORMING ARTS / Acting & Auditioning
Tadashi Suzuki is one of the world's foremost theatre directors, as well as a seminal thinker and practitioner whose work has had a profound influence on theatre worldwide. He is the founder and director of the Suzuki Company of Toga (SCOT) based in Toga Village, located in the mountains of Toyama prefecture. He is the organizer of Japan's first international theatre festival (Toga Festival), and the creator of the Suzuki Method of Actor Training. Suzuki has articulated his theories in a number of books. He has taught his system of actor training in schools and theatres throughout the world, including The Juilliard School in New York and the Moscow Art Theatre. Suzuki's works include On the Dramatic Passions, The Trojan Women, Dionysus, King Lear, Cyrano de Bergerac, Madame de Sade and many others. Besides productions with his own company, he has directed several international collaborations, such as The Tale of Lear, co-produced and presented by four leading regional theatres in the US; King Lear, presented with the Moscow Art Theatre; Oedipus Rex, co-produced by Cultural Olympiad and Düsseldorf Schauspiel Haus; and Electra, produced by Ansan Arts Center/Arco Arts Theatre in Korea and the Taganka Theatre in Russia.
Since graduating from Northwestern University in 1991, Kameron Steele has worked extensively as a theatre artist across the Europe, Asia and the Americas. An intermittent member of SCOT from 1991 to 2019, Steele collaborated closely with Tadashi Suzuki as an actor, assistant director, translator, and director of the Suzuki Method of Actor Training Summer Program in Toga. As an actor, he also worked regularly with Robert Wilson from 1999-2007, during which time he helped establish the Watermill Center, an artist residency center in Long Island, NY. From 2003-2019 Steele was coartistic director of The South Wing Theatre Company and directed various productions, residencies and seminars with various organizations including The Grotowski Institute, Singapore International Festival of Arts, Institut del Teatre (Barcelona), HERE Arts Center (New York), Williams College (Massachusetts) and Festival Internacional de Buenos Aires. He currently lives in Mendoza, Argentina with Ivana Catanese and their two daughters, Oriana and Isadora.