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Debord, Time and Spectacle

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A detailed philosophical study of the theoretical work of Guy Debord and the Situationist International that helps to uncover a philosophy of praxis that remains useful today.
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  • 08 January 2019
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In Debord, Time and Spectacle Tom Bunyard provides a detailed philosophical study of the theoretical work of Guy Debord and the Situationist International. Drawing on evidence from Debord’s books, films, letters and notes, Bunyard reconstructs the Hegelian and Marxian ideas that support Debord’s central concept of ‘spectacle’. This affords a reconsideration of Debord’s theoretical claims, and a reinterpretation of his broader work that foregrounds his concerns with history and lived time. By bringing situationist theory into dialogue with recent reinterpretations of Marx, this book also identifies problems in Debord’s critique of capitalism. It argues, however, that the conceptions of temporality and spectacle that support that critique amount to a philosophy of praxis that remains relevant today.

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Price: $40.00
Pages: 430
Publisher: Haymarket Books
Imprint: Haymarket Books
Series: Historical Materialism
Publication Date: 08 January 2019
Trim Size: 9.00 X 6.02 in
ISBN: 9781608460793
Format: Paperback
BISACs:

PHILOSOPHY / Social, PHILOSOPHY / Political, HISTORY / Modern / 20th Century / General, PHILOSOPHY / History & Surveys / Modern, PHILOSOPHY / Individual Philosophers, General and world history, Western philosophy from c 1800

“Tom Bunyard’s wide-ranging monograph convincingly casts Debord as ‘a twentieth-century Young Hegelian’ and, through the influence of the young Marx and Lukács, as a thinker of historical praxis.”
—Eric-John Russell, Radical Philosophy

“Bunyard’s Debord, Time and Spectacle is an impressive contribution to the project of understanding and reconstructing the intellectual context of Debord’s critique of ‘the society of the spectacle’.”
—Anthony Paul Hayes, Marx & Philosophy Review of Books

Tom Bunyard, Ph.D. (2012), Goldsmiths, is a Senior Lecturer in the Humanities Programme at the University of Brighton. He has published several articles on the relationship between Debord, Hegel and Marx, and works on critical theory and philosophy of history.
Acknowledgements
List of Illustrations
Introduction: Radioactivity

Subjectivity, Temporality and Spectacle


1 Interpreting the Theory of Spectacle
2 Five Aspects of Debord’s Theoretical Work

The New Beauty: 1951–62


3 ‘We are Artists Insofar as We are No Longer Artists’
4 The Everyday and the Absolute
5 ‘Avant-Gardes Have Only One Time’

‘Everything that had Formerly been Absolute Became Historical’


6 Debord and French Hegelianism
7 Subjects and Objects: Debord, Lukács and the Young Marx
8 Life and Non-life

In Pursuit of the Northwest Passage: 1963–73


9 Never Work!
10 ‘I am Nothing and I Should be Everything’
11 The ‘Fetishism of Capital’

The Integrated Spectacle: 1974–94


12 Moving with History’s ‘Bad Side’
13 Strategy and Tactics in the Integrated Spectacle
14 The Knight, Death and the Devil
Bibliography
Index