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Tobias Janz, born in 1974, is full professor and director of the Department of Musicology at the Rheinische Friedrich-Wilhelms-Universität in Bonn, Germany. He is also editor of the journal Musik & Ästhetik. He wrote his doctoral thesis on the dramaturgy of orchestral sound in Wagner's Ring des Nibelungen and published his second monograph Zur Genealogie der musikalischen Moderne in 2014. His research interests include music history from the 17th to the 21th century, music aesthetics, and music theory.
Chien-Chang Yang is associate professor and director of the Graduate Institute of Musicology of the National Taiwan University. He earned his doctorate from the University of Chicago in 2002 with the dissertation »Music as Knowledge: The Foundation of German Musikwissenschaft and Hugo Riemann's Theory of Listening« which received a research grant support from the DAAD and the Chiang Chingkuo Foundation. His research areas include the intellectual history of music, critical theory, music historiography, and issues related to musical modernity.
Frontmatter 1
Content 5
Preface 7
Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History 9
Modernity as Postcolonial Encounter in Korean Music 41
Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Ksaku 63
Music at the Service of Nordic Modernity? Wilhelm Stenhammar's Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897 87
Different Interpretations of Musical Modernity? Xiao Youmei's Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra 123
Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan 145
Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music 173
Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s 207
Synchronizing Twentieth-Century Music: A Transnational Reflection 247
Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan 279
Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism 313
General Index 345
Authors 371