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Decoy
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Subversive and witty, Equi adeptly slips around corners and peers through keyholes, ultimately proving that the best poems take us by surprise. "Exceedingly delicate work, infused with a sly and ba...
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“This is exceedingly delicate work, infused with a sly and bawdy sense ...
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Format:
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Publication Date: 01 November 1994
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ISBN: 9781566890267
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Pages: 80
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Imprint: Coffee House Press

Subversive and witty, Equi adeptly slips around corners and peers through keyholes, ultimately proving that the best poems take us by surprise. "Exceedingly delicate work, infused with a sly and bawdy humor.... leaves the reader eager for more.... one of the most enjoyable and rewarding books of poetry."--The Nation
Price: $11.95
Pages: 80
Publisher: Coffee House Press
Imprint: Coffee House Press
Publication Date:
01 November 1994
Trim Size: 8.90 X 6.00 in
ISBN: 9781566890267
Format: Paperback
“This is exceedingly delicate work, infused with a sly and bawdy sense of humor, and when she’s on, she’s one of the best.” —The Nation
“Equi’s second collection emerges as a provocative mixture of postmodern eclecticism and graceful wit. . . . [She] successfully merges the serious and the absurd in language that is by turns ironic, frivolous and lyrical.” —Publishers Weekly
“What she reflects on is never easy. Decoy is work with wide-open eyes alert to surprises, steady in shocks. It’s serious poetry.” —Lit: Chicago’s Literary Supplement
“Elaine Equi deftly collides bawdiness and faith, pop culture and high art, complexity and ease. . . . The poems in Decoy are logically and syntactically taut, their surfaces tidy and terse with the frequent connectives lending an apparent seamlessness.” —Tom Clark, The San Francisco Chronicle
“Decoy moves upon you gradually with postludes of gentleness . . . then agile maneuvers that seize us unaware. The flawless title poem, ‘Decoy,’ twists as if on a perilous frame, and it is. We acknowledge the dependency of poetry on the poet’s sensibility.” —Barbara Guest
“Equi’s second collection emerges as a provocative mixture of postmodern eclecticism and graceful wit. . . . [She] successfully merges the serious and the absurd in language that is by turns ironic, frivolous and lyrical.” —Publishers Weekly
“What she reflects on is never easy. Decoy is work with wide-open eyes alert to surprises, steady in shocks. It’s serious poetry.” —Lit: Chicago’s Literary Supplement
“Elaine Equi deftly collides bawdiness and faith, pop culture and high art, complexity and ease. . . . The poems in Decoy are logically and syntactically taut, their surfaces tidy and terse with the frequent connectives lending an apparent seamlessness.” —Tom Clark, The San Francisco Chronicle
“Decoy moves upon you gradually with postludes of gentleness . . . then agile maneuvers that seize us unaware. The flawless title poem, ‘Decoy,’ twists as if on a perilous frame, and it is. We acknowledge the dependency of poetry on the poet’s sensibility.” —Barbara Guest
Elaine Equi, author of Click and Clone (Coffee House Press, 2011), was born in Oak Park, Illinois, and raised in Chicago and its outlying suburbs. In 1988, she moved to New York City with her husband poet Jerome Sala. Over the years, her witty, aphoristic, and innovative work has become nationally and internationally known. Her last book, Ripple Effect: New & Selected Poems, was a finalist for the Los Angeles Times Book Prize and on the short list for Canada’s prestigious Griffin Poetry Prize.
Among her other titles are Surface Tension, Decoy, Voice-Over, which won the San Francisco State University Poetry Center Award, and The Cloud of Knowable Things. Widely published and anthologized, her work has appeared in the New Yorker, Poetry, the American Poetry Review, the Nation, and numerous volumes of the Best American Poetry. She teaches at New York University, and in the MFA Programs at the New School and the City College of New York.
Among her other titles are Surface Tension, Decoy, Voice-Over, which won the San Francisco State University Poetry Center Award, and The Cloud of Knowable Things. Widely published and anthologized, her work has appeared in the New Yorker, Poetry, the American Poetry Review, the Nation, and numerous volumes of the Best American Poetry. She teaches at New York University, and in the MFA Programs at the New School and the City College of New York.