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Diego Rivera's America
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Diego Rivera’s America revisits a historical moment when the famed muralist and painter, more than any other artist of his time, helped forge Mexican national identity in visual terms and imagined ...
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19 July 2022

Diego Rivera’s America revisits a historical moment when the famed muralist and painter, more than any other artist of his time, helped forge Mexican national identity in visual terms and imagined a shared American future in which unity, rather than division, was paramount.
This volume accompanies a major exhibition highlighting Diego Rivera’s work in Mexico and the United States from the early 1920s through the mid-1940s. During this time in his prolific career, Rivera created a new vision for the Americas, on both national and continental levels, informed by his time in both countries. Rivera’s murals in Mexico and the U.S. serve as points of departure for a critical and contemporary understanding of one of the most aesthetically, socially, and politically ambitious artists of the twentieth century. Works featured include the greatest number of paintings and drawings from this period reunited since the artist’s lifetime, presented alongside fresco panels and mural sketches. This catalogue serves as a guide to two crucial decades in Rivera’s career, illuminating his most important themes, from traditional markets to modern industry, and devoting attention to iconic paintings as well as works that will be new even to scholars—revealing fresh insights into his artistic process.
Published by the San Francisco Museum of Modern Art in association with University of California Press
Exhibition dates:
San Francisco Museum of Modern Art: July 16, 2022—January 1, 2023
Crystal Bridges Museum of American Art, Bentonville, Arkansas: March 11—July 31, 2023
This volume accompanies a major exhibition highlighting Diego Rivera’s work in Mexico and the United States from the early 1920s through the mid-1940s. During this time in his prolific career, Rivera created a new vision for the Americas, on both national and continental levels, informed by his time in both countries. Rivera’s murals in Mexico and the U.S. serve as points of departure for a critical and contemporary understanding of one of the most aesthetically, socially, and politically ambitious artists of the twentieth century. Works featured include the greatest number of paintings and drawings from this period reunited since the artist’s lifetime, presented alongside fresco panels and mural sketches. This catalogue serves as a guide to two crucial decades in Rivera’s career, illuminating his most important themes, from traditional markets to modern industry, and devoting attention to iconic paintings as well as works that will be new even to scholars—revealing fresh insights into his artistic process.
Published by the San Francisco Museum of Modern Art in association with University of California Press
Exhibition dates:
San Francisco Museum of Modern Art: July 16, 2022—January 1, 2023
Crystal Bridges Museum of American Art, Bentonville, Arkansas: March 11—July 31, 2023
Price: $60.00
Pages: 272
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
19 July 2022
Trim Size: 13.50 X 9.00 in
ISBN: 9780520344402
Format: Hardcover
BISACs:
"Diego Rivera’s America reintroduces Rivera to twenty-first century audiences by reinforcing the deep-rooted historical and cultural foundations between the neighboring countries that must be reexamined rather than overlooked. The content innovates within the field of art history as well as interdisciplinary fields like Chicana/o/x studies and Central American studies, analyzing Rivera’s perspective on America as an interconnected body of people, land, and culture beyond geopolitical borders."
James Oles, curator of the exhibition Diego Rivera’s America, is a specialist in Latin American art, focusing on modern Mexican art and architecture. He is a senior lecturer in the Art Department at Wellesley College and serves as Adjunct Curator of Latin American art at the Davis Museum in Wellesley.
Contents
FOREWORD
Neal Benezra
LENDERS TO THE EXHIBITION
INTRODUCTION
James Oles
DIEGO RIVERA’S CREATION:
SYNTHESIS FOR A NEW NATION
Sandra Zetina
FROM MURALS TO PAINTINGS:
SCENES OF EVERYDAY LIFE
James Oles
THE EMBROIDERER
James Oles
THE FLOWERED CANOE
Adriana Zavala
FROM MURALS TO PAINTINGS:
MOTHERS AND CHILDREN
James Oles
THE OFFERING
Dafne Cruz Porchini
and James Oles
MURALS ON PAPER
James Oles
DIEGO RIVERA’S NEW AMERICAN ART:
SAN FRANCISCO, 1930–31
Maria Castro
DESIGNS FOR THE PARAMOUNT THEATRE
Rachel Kaplan
FRIDA KAHLO:
SAN FRANCISCO PORTRAITS, 1930–31
Adriana Zavala
DESIGNS FOR H.P.
Claire F. Fox
DIEGO RIVERA PAINTS THE PROLETARIAT
John Lear
THE RED SQUARES OF MANHATTAN
John Lear
STUDY FOR A MURAL
Rachel Kaplan
RIVERA IN THE STUDIO
James Oles
LUZ JIMÉNEZ, WEAVER
James Oles
GIRL IN BLUE AND WHITE
James Oles
SYMBOLIC LANDSCAPES
Dafne Cruz Porchini
and James Oles
DIEGO RIVERA’S PAN-AMERICA
Claire F. Fox
SELF-PORTRAITS IN SANTA BARBARA
James Oles
AFTER RIVERA: ICONOCLASTIC MESTIZAJE
Jennifer A. González
PRESERVING PAN AMERICAN UNITY
Michelle Barger and Kiernan Graves
Works in the Exhibition
Selected Reading
Acknowledgments
Image Credits
FOREWORD
Neal Benezra
LENDERS TO THE EXHIBITION
INTRODUCTION
James Oles
DIEGO RIVERA’S CREATION:
SYNTHESIS FOR A NEW NATION
Sandra Zetina
FROM MURALS TO PAINTINGS:
SCENES OF EVERYDAY LIFE
James Oles
THE EMBROIDERER
James Oles
THE FLOWERED CANOE
Adriana Zavala
FROM MURALS TO PAINTINGS:
MOTHERS AND CHILDREN
James Oles
THE OFFERING
Dafne Cruz Porchini
and James Oles
MURALS ON PAPER
James Oles
DIEGO RIVERA’S NEW AMERICAN ART:
SAN FRANCISCO, 1930–31
Maria Castro
DESIGNS FOR THE PARAMOUNT THEATRE
Rachel Kaplan
FRIDA KAHLO:
SAN FRANCISCO PORTRAITS, 1930–31
Adriana Zavala
DESIGNS FOR H.P.
Claire F. Fox
DIEGO RIVERA PAINTS THE PROLETARIAT
John Lear
THE RED SQUARES OF MANHATTAN
John Lear
STUDY FOR A MURAL
Rachel Kaplan
RIVERA IN THE STUDIO
James Oles
LUZ JIMÉNEZ, WEAVER
James Oles
GIRL IN BLUE AND WHITE
James Oles
SYMBOLIC LANDSCAPES
Dafne Cruz Porchini
and James Oles
DIEGO RIVERA’S PAN-AMERICA
Claire F. Fox
SELF-PORTRAITS IN SANTA BARBARA
James Oles
AFTER RIVERA: ICONOCLASTIC MESTIZAJE
Jennifer A. González
PRESERVING PAN AMERICAN UNITY
Michelle Barger and Kiernan Graves
Works in the Exhibition
Selected Reading
Acknowledgments
Image Credits