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Driving in Palestine التحرّك في فلسطين

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This research-creation project by artist Rehab Nazzal documents the politics of surveillance and mobility in contemporary Palestine through photos, hand-drawn maps and critical essays in English an...
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“Rehab Nazzal’s Driving in Palestine takes us on a powerful journey of the Pa... Read More
  • Format:
  • Publication Date: 04 April 2023
  • ISBN: 9781773635934
  • Pages: 200
  • Imprint: Fernwood Publishing

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During the past seven decades, Palestine has been sealed from the Arab world and shattered into fragmented and coded areas: 1948 area, 1967 area, Jerusalem, West Bank, Gaza and A, B and C areas within the West Bank. Each area is ruled by different laws, including different roads and permits that control the mobility of Palestinians and privilege Jewish settlers.


Driving in Palestine is a research-creation project by acclaimed artist Rehab Nazzal, who explores the visible indices of the politics of mobility that she encountered firsthand while traversing the occupied West Bank between 2010 and 2020. This photography book consists of 160 black and white photographs, hand-drawn maps and critical essays in Arabic and English by Palestinian and Canadian scholars and artists.

The photographs were all captured from moving vehicles on the roads of the West Bank. They focus on Israel’s architecture of movement restrictions and surveillance structures that proliferate in the West Bank, including the Apartheid Wall, segregation walls surrounding illegal colonies, gates, fences, watchtowers, roadblocks and military checkpoints among other obstacles to freedom of movement.

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Price: $34.00
Pages: 200
Publisher: Fernwood Publishing
Imprint: Fernwood Publishing
Publication Date: 04 April 2023
Trim Size: 8.00 X 10.00 in
ISBN: 9781773635934
Format: Paperback
“Rehab Nazzal’s Driving in Palestine takes us on a powerful journey of the Palestinian landscape, the land scarred with Israeli colonies, checkpoints, walls, surveillance outposts, and all sorts of military structures. Most brilliantly, Nazzal’s images, taken from a moving car, appear to us in a still black-and-white form that makes us forget the motion from which the images were taken. But there are small reminders throughout the book that these images are taken in motion, are of motion. Thus, the stillness of an image that is in fact rooted in motion allows us to sense and feel, albeit transiently, the Palestinian experience of movement, not as free, smooth, and open but rather brutally and by Israeli design as restrictive, stifling, still, and suffocating. Combining images with texts from a variety of perspectives and positionalities, this is a book that presents a penetrating method of capturing and communicating this inhumane experience of movement that Palestinians endure. It also critically accentuates Palestinian resistance and insistence on seeing, living, and experiencing Palestinian lands as whole and free.”
— M. Muhannad Ayyash, Mount Royal University

Rehab Nazzal is a Palestinian-born multidisciplinary artist based in Toronto. Her work deals with the effects of settler-colonial violence on the bodies and minds of colonized peoples, on the land and on other non-human life. Nazzal’s video, photography and sound works have been exhibited in solo and group exhibitions across Canada and internationally. Dr. Nazzal was an assistant professor at Dar Al-Kalima University in Bethlehem and has taught at Simon Fraser University, Western University and Ottawa School of Art. She is the recipient of several awards, including the Social Justice Award from Ryerson University and the Edmund and Isobel Ryan Visual Arts Award in Photography from the University of Ottawa.