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In the fall of 1957 the University of California Press expanded Arnheim’s 1933 book Film by four essays and brought that landmark work back into print as Film as Art. Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional depth.
Price: $34.95
Pages: 238
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
06 March 2006
Trim Size: 7.25 X 4.50 in
ISBN: 9780520248373
Format: Paperback
BISACs:
Rudolf Arnheim (1904—2007) was Professor Emeritus of the Psychology of Art at Harvard University and Emeritus Professor of Psychology at Sarah Lawrence College. He was author of many books, including Art and Visual Perception, The Power of the Center, and Visual Thinking.
1957 A Personal Note
1933 Selections Adapted from Film
1 Film and Reality
2 The Making of a Film
3 The Content of the Film
4 The Complete Film
1933 The Thoughts That Made the Picture Move
1934 Motion
1935 A Forecast of Television
1938 A New Laocoon: Artistic Composites and the Talking Film
1933 Selections Adapted from Film
1 Film and Reality
2 The Making of a Film
3 The Content of the Film
4 The Complete Film
1933 The Thoughts That Made the Picture Move
1934 Motion
1935 A Forecast of Television
1938 A New Laocoon: Artistic Composites and the Talking Film