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Frontier Figures
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Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Ro...
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18 April 2012

Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.
Price: $95.00
Pages: 470
Publisher: University of California Press
Imprint: University of California Press
Series: California Studies in 20th-Century Music
Publication Date:
18 April 2012
Trim Size: 9.00 X 6.00 in
ISBN: 9780520267763
Format: Hardcover
BISACs:
“Music professor Levy looks at how Western Americana has been woven into American culture via music.”
Beth E. Levy is Associate Professor of Music at the University of California, Davis.
List of Illustrations
Acknowledgments
Abbreviations
Introduction: The Course of Empire
Chapter 1. The Wa-Wan and the West
Chapter 2. Western Democracy, Western Landscapes, Western Music
Part Two. Western Encounters: Charles Wakefield Cadman and Others
Chapter 3. Encountering Indians
Chapter 4. Staging the West
Part Three. American Pastorals
Chapter 5. West of Eden
Chapter 6. Power in the Land
Chapter 7. Harvest Home
Part Four. Roy Harris: Provincial Cowboy, White Hope
Chapter 8. How Roy Harris Became Western
Chapter 9. Manifest Destiny
Chapter 10. The Composer as Folk Singer
Part Five. Aaron Copland: From Orient to Occident
Chapter 11. The Saga of the Prairies
Chapter 12. Communal Song, Cosmopolitan Song
Chapter 13. Copland and the Cinematic West
Conclusion: On the Trail
Notes
Selected Bibliography
Index
Acknowledgments
Abbreviations
Introduction: The Course of Empire
Chapter 1. The Wa-Wan and the West
Chapter 2. Western Democracy, Western Landscapes, Western Music
Part Two. Western Encounters: Charles Wakefield Cadman and Others
Chapter 3. Encountering Indians
Chapter 4. Staging the West
Part Three. American Pastorals
Chapter 5. West of Eden
Chapter 6. Power in the Land
Chapter 7. Harvest Home
Part Four. Roy Harris: Provincial Cowboy, White Hope
Chapter 8. How Roy Harris Became Western
Chapter 9. Manifest Destiny
Chapter 10. The Composer as Folk Singer
Part Five. Aaron Copland: From Orient to Occident
Chapter 11. The Saga of the Prairies
Chapter 12. Communal Song, Cosmopolitan Song
Chapter 13. Copland and the Cinematic West
Conclusion: On the Trail
Notes
Selected Bibliography
Index