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How the Classics Made Shakespeare

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From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare's imaginationBen Jonson famously accused Shakespeare of...
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  • 13 October 2020
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From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare's imagination

Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book that combines stylistic brilliance, accessibility, and extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world's leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became.

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Price: $18.95
Pages: 384
Publisher: Princeton University Press
Imprint: Princeton University Press
Series: E. H. Gombrich Lecture Series
Publication Date: 13 October 2020
ISBN: 9780691210148
Format: Paperback
BISACs:

LITERARY CRITICISM / Shakespeare, Literary studies: plays and playwrights, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh, LITERARY CRITICISM / Medieval, LITERARY CRITICISM / Ancient & Classical, Literature: history and criticism, Literary studies: ancient, classical and medieval

Jonathan Bate is Foundation Professor of Environmental Humanities at Arizona State University and Senior Research Fellow at Oxford University. His many books include Soul of the Age: A Biography of the Mind of William Shakespeare. He broadcasts regularly for the BBC, is the coeditor of The RSC Shakespeare: Complete Works, and wrote an acclaimed one-man play for Simon Callow, Being Shakespeare. Twitter @profbate