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The best of Essay Daily—each a writer in conversation with and about an essay, whatever its variety, contemporary and classic.
How We Speak to One Another is some of the most engaging evidence we’ve got that the essay is going strong. Here, essayists talk back to each other, to the work they love and the work that disquiets them, and to the very basic building blocks of what we understand “essay” to be. What’s compiled in these pages testifies to the endless flexibility, generosity, curiosity, and audacity of essays. Even more than that, it provides the kind of pleasure any great essay collection does—upsetting our ideas and challenging the way we organize our sense of the world.
How We Speak to One Another is some of the most engaging evidence we’ve got that the essay is going strong. Here, essayists talk back to each other, to the work they love and the work that disquiets them, and to the very basic building blocks of what we understand “essay” to be. What’s compiled in these pages testifies to the endless flexibility, generosity, curiosity, and audacity of essays. Even more than that, it provides the kind of pleasure any great essay collection does—upsetting our ideas and challenging the way we organize our sense of the world.
Price: $20.00
Pages: 275
Publisher: Coffee House Press
Imprint: Coffee House Press
Publication Date:
14 March 2017
Trim Size: 9.00 X 6.00 in
ISBN: 9781566894579
Format: Paperback
Winner of the 2017 New Mexico-Arizona Book Award in Anthology
“How We Speak wins its argument that the essay is worthy of extended contemplation.” —Booklist
“This collection confirms what Ander Monson suggests in the introduction: each essay is one in a network of intersecting tunnels, forming a landscape of ideas and experiences about what it means to be human.” —Cleaver
“To read the collected essays here is to feel invited to a salon.” —Signature
“The heart of these essays lies in the revelation of a preoccupation of the author through their examination of another’s text.” —Puerto Del Sol
“This big collection offers beautiful comics and reminiscences, fake interviews and real fencing, along with approachable, step-by-step, classroom- and subway-car-friendly lit crit. And it does not just try (or ‘essay’) to do things you’ll remember, it succeeds.” —Steph Burt
“How We Speak wins its argument that the essay is worthy of extended contemplation.” —Booklist
“This collection confirms what Ander Monson suggests in the introduction: each essay is one in a network of intersecting tunnels, forming a landscape of ideas and experiences about what it means to be human.” —Cleaver
“To read the collected essays here is to feel invited to a salon.” —Signature
“The heart of these essays lies in the revelation of a preoccupation of the author through their examination of another’s text.” —Puerto Del Sol
“This big collection offers beautiful comics and reminiscences, fake interviews and real fencing, along with approachable, step-by-step, classroom- and subway-car-friendly lit crit. And it does not just try (or ‘essay’) to do things you’ll remember, it succeeds.” —Steph Burt
Ander Monson is the author, most recently, of Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries (Graywolf Press). He is also the author of Vanishing Point, a finalist for the National Book Critics Circle Award, and Neck Deep and Other Predicaments. He edits DIAGRAM and the New Michigan Press. Monson lives in Tucson and teaches in the MFA program at the University of Arizona.
Craig Reinbold’s writing has appeared in many journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013 – 2016.
Craig Reinbold’s writing has appeared in many journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013 – 2016.