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Iconotypes
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"Gloriously accessible. . . . A book as lovely as the creatures it depicts. There's much here for specialists (lepidopterists; art historians) but lay readers too can savor an astonishingly beautif...
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16 November 2021

"Gloriously accessible. . . . A book as lovely as the creatures it depicts. There's much here for specialists (lepidopterists; art historians) but lay readers too can savor an astonishingly beautiful 'pre-industrial butterfly world.'"—Library Journal
The first publication of Jones’s Icones, a strikingly beautiful and significant achievement in natural history.
William Jones’s Icones is one of the most scientifically important and visually stunning works on butterflies and moths ever created. Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. Yet until now, it has never been published—the only existing manuscript copy is housed in the archives of the Oxford University Museum of Natural History. With Iconotypes, Jones’s work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing where each specimen was discovered.
Between the early 1780s and 1810, Jones, a wine merchant, painted in painstaking detail hundreds of species of Lepidoptera, drawing from his own collection and the collections of prominent amateur naturalists. For every specimen, Jones included the known species name, the collection, and the geographical location in which it was found. In this enhanced facsimile, Jones's historical references are clarified and modern taxonomic names are provided together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones’s life, his motivation for collecting butterflies and creating the Icones, and evaluates the significance of Jones’s work. This lavish volume intersperses contemporary maps showing the locations of each specimen, expert essays on the study of lepidoptery since Ancient Egyptian times, the development of taxonomy after Linnaeus, the roles of collectors and natural history artists during the late 1700s to mid-1800s, and the steep decline of butterflies and moths over the last fifty years. Iconotypes is a beautiful collector’s object for fans of natural history and illustrations of butterflies and moths, as well as artists, designers, and bibliophiles.
The first publication of Jones’s Icones, a strikingly beautiful and significant achievement in natural history.
William Jones’s Icones is one of the most scientifically important and visually stunning works on butterflies and moths ever created. Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. Yet until now, it has never been published—the only existing manuscript copy is housed in the archives of the Oxford University Museum of Natural History. With Iconotypes, Jones’s work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing where each specimen was discovered.
Between the early 1780s and 1810, Jones, a wine merchant, painted in painstaking detail hundreds of species of Lepidoptera, drawing from his own collection and the collections of prominent amateur naturalists. For every specimen, Jones included the known species name, the collection, and the geographical location in which it was found. In this enhanced facsimile, Jones's historical references are clarified and modern taxonomic names are provided together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones’s life, his motivation for collecting butterflies and creating the Icones, and evaluates the significance of Jones’s work. This lavish volume intersperses contemporary maps showing the locations of each specimen, expert essays on the study of lepidoptery since Ancient Egyptian times, the development of taxonomy after Linnaeus, the roles of collectors and natural history artists during the late 1700s to mid-1800s, and the steep decline of butterflies and moths over the last fifty years. Iconotypes is a beautiful collector’s object for fans of natural history and illustrations of butterflies and moths, as well as artists, designers, and bibliophiles.
Price: $35.00
Pages: 688
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
16 November 2021
Trim Size: 9.62 X 7.25 in
ISBN: 9780520386501
Format: Hardcover
BISACs:
“An unpublished masterpiece of the Enlightenment is made gloriously accessible. . . . A book as lovely as the creatures it depicts. There's much here for specialists (lepidopterists; art historians) but lay readers too can savor an astonishingly beautiful 'pre-industrial butterfly world.'"
Oxford University Museum of Natural History holds an internationally significant collection of natural history specimens and archives. It is home to a lively program of research, teaching, and events focused on the sciences of the natural environment.
Richard I. Vane-Wright is an entomologist and taxonomist who has been associated with London’s Natural History Museum for nearly sixty years. A specialist on butterflies, he retired from the museum in 2004 as Keeper of the Department of Entomology. He is the author of three books, most recently Butterflies: A Complete Guide to Their Biology and Behavior, and he is involved with biodiversity conservation and local entomological projects.
Richard I. Vane-Wright is an entomologist and taxonomist who has been associated with London’s Natural History Museum for nearly sixty years. A specialist on butterflies, he retired from the museum in 2004 as Keeper of the Department of Entomology. He is the author of three books, most recently Butterflies: A Complete Guide to Their Biology and Behavior, and he is involved with biodiversity conservation and local entomological projects.
FOREWORD
by Professor Paul Smith, Director of Oxford University Museum of Natural History
INTRODUCTION
William Jones & the birth of the Icones, by Richard I. Vane-Wright
ICONES VOLUME I Papiliones Equites: Troes & Achivi
Map-Distribution of the species represented in Icones in Europe
Anicle 1-The early study of Lepidoptera, by Alberto Zilli
ICONES VOLUME II Papiliones Heliconii
Map-Distribution of the species represented in Icones in North and Central America
ICONES VOLUME III Papiliones Danai: Candidi & Festivi
Map-Distribution of the species represented in Icones in South America
Article 2-A flourishing of lepidopterological activity, by Alberto Zilli
ICONES VOLUME IV Papiliones Nymphales: Gemmati & Phalerati
Map-Distribution of the species represented in Icones in Asia
Article 3-Collecting Lepidoptera in the 18th & 19th centuries, by Arlene Leis
ICONES VOLUME V Papiliones Nymphales
Map-Distribution of the species represented in Icones in Africa
Article 4-The art of painting butterflies, by Stefanie Jovanovic-Kruspel
ICONES VOLUME VI Papiliones Plebeji
Map-Distribution of the species represented in Icones in Australasia
Anicle 5-The decline of Lepidoptera around the globe, by Francisco Sánchez-Bayo
ICONES VOLUME VII Papiliones
CONCLUSION
The legacy of William Jones, by Richard I. Vane-Wright
FULL LISTING OF JONES'S ICONOTYPES
BIBLIOGRAPHY
SOURCES OF ILLUSTRATIONS
INDEX OF BUTTERFLY SPECIES
INDEX TO THE ARTICLES
ACKNOWLEDGMENTS
by Professor Paul Smith, Director of Oxford University Museum of Natural History
INTRODUCTION
William Jones & the birth of the Icones, by Richard I. Vane-Wright
ICONES VOLUME I Papiliones Equites: Troes & Achivi
Map-Distribution of the species represented in Icones in Europe
Anicle 1-The early study of Lepidoptera, by Alberto Zilli
ICONES VOLUME II Papiliones Heliconii
Map-Distribution of the species represented in Icones in North and Central America
ICONES VOLUME III Papiliones Danai: Candidi & Festivi
Map-Distribution of the species represented in Icones in South America
Article 2-A flourishing of lepidopterological activity, by Alberto Zilli
ICONES VOLUME IV Papiliones Nymphales: Gemmati & Phalerati
Map-Distribution of the species represented in Icones in Asia
Article 3-Collecting Lepidoptera in the 18th & 19th centuries, by Arlene Leis
ICONES VOLUME V Papiliones Nymphales
Map-Distribution of the species represented in Icones in Africa
Article 4-The art of painting butterflies, by Stefanie Jovanovic-Kruspel
ICONES VOLUME VI Papiliones Plebeji
Map-Distribution of the species represented in Icones in Australasia
Anicle 5-The decline of Lepidoptera around the globe, by Francisco Sánchez-Bayo
ICONES VOLUME VII Papiliones
CONCLUSION
The legacy of William Jones, by Richard I. Vane-Wright
FULL LISTING OF JONES'S ICONOTYPES
BIBLIOGRAPHY
SOURCES OF ILLUSTRATIONS
INDEX OF BUTTERFLY SPECIES
INDEX TO THE ARTICLES
ACKNOWLEDGMENTS