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Illness and Culture in the Postmodern Age
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We become ill in ways our parents and grandparents did not, with diseases unheard of and treatments undreamed of by them. Illness has changed in the postmodern era—roughly the period since World Wa...
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30 August 2000

We become ill in ways our parents and grandparents did not, with diseases unheard of and treatments undreamed of by them. Illness has changed in the postmodern era—roughly the period since World War II—as dramatically as technology, transportation, and the texture of everyday life. Exploring these changes, David B. Morris tells the fascinating story, or stories, of what goes into making the postmodern experience of illness different, perhaps unique. Even as he decries the overuse and misuse of the term "postmodern," Morris shows how brightly ideas of illness, health, and postmodernism illuminate one another in late-twentieth-century culture.
Modern medicine traditionally separates disease—an objectively verified disorder—from illness—a patient's subjective experience. Postmodern medicine, Morris says, can make no such clean distinction; instead, it demands a biocultural model, situating illness at the crossroads of biology and culture. Maladies such as chronic fatigue syndrome and post-traumatic stress disorder signal our awareness that there are biocultural ways of being sick.
The biocultural vision of illness not only blurs old boundaries but also offers a new and infinitely promising arena for investigating both biology and culture. In many ways Illness and Culture in the Postmodern Age leads us to understand our experience of the world differently.
Modern medicine traditionally separates disease—an objectively verified disorder—from illness—a patient's subjective experience. Postmodern medicine, Morris says, can make no such clean distinction; instead, it demands a biocultural model, situating illness at the crossroads of biology and culture. Maladies such as chronic fatigue syndrome and post-traumatic stress disorder signal our awareness that there are biocultural ways of being sick.
The biocultural vision of illness not only blurs old boundaries but also offers a new and infinitely promising arena for investigating both biology and culture. In many ways Illness and Culture in the Postmodern Age leads us to understand our experience of the world differently.
Price: $33.95
Pages: 356
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
30 August 2000
Trim Size: 9.00 X 6.00 in
ISBN: 9780520226890
Format: Paperback
BISACs:
David B. Morris, winner of a 1992 PEN award for The Culture of Pain (California, 1991) and author of the award-winning Alexander Pope: The Genius of Sense (1984), lives and writes in Albuquerque, New Mexico. His most recent book is Earth Warrior: Overboard with Paul Watson and the Sea Shepherd Conservation Society (1995).
List of Illustrations
Introduction: How to Live Forever
1. The Country of the Ill
2. What Is Postmodern Illness?
3. The White Noise of Health
4. Reinventing Pain
5. Utopian Bodies
6. Neurobiology and the Obscene
7. The Plot of Suffering
8. Illness in the Time of Disney.
Conclusion: Narrative Bioethics
Notes
Index
Introduction: How to Live Forever
1. The Country of the Ill
2. What Is Postmodern Illness?
3. The White Noise of Health
4. Reinventing Pain
5. Utopian Bodies
6. Neurobiology and the Obscene
7. The Plot of Suffering
8. Illness in the Time of Disney.
Conclusion: Narrative Bioethics
Notes
Index