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In Stereotype

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Confronts the importance of cultural stereotypes in shaping the ethics and reach of global literature.
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  • 07 February 2017
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In Stereotype confronts the importance of cultural stereotypes in shaping the ethics and reach of global literature. Mrinalini Chakravorty focuses on the seductive force and explanatory power of stereotypes in multiple South Asian contexts, whether depicting hunger, crowdedness, filth, slums, death, migrant flight, terror, or outsourcing. She argues that such commonplaces are crucial to defining cultural identity in contemporary literature and shows how the stereotype's ambivalent nature exposes the crises of liberal development in South Asia.

In Stereotype considers the influential work of Salman Rushdie, Aravind Adiga, Michael Ondaatje, Monica Ali, Mohsin Hamid, and Chetan Bhagat, among others, to illustrate how stereotypes about South Asia provide insight into the material and psychic investments of contemporary imaginative texts: the colonial novel, the transnational film, and the international best-seller. Probing circumstances that range from the independence of the Indian subcontinent to poverty tourism, civil war, migration, domestic labor, and terrorist radicalism, Chakravorty builds an interpretive lens for reading literary representations of cultural and global difference. In the process, she also reevaluates the fascination with transnational novels and films that manufacture global differences by staging intersubjective encounters between cultures through stereotypes.

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Price: $29.00
Pages: 336
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Literature Now
Publication Date: 07 February 2017
Trim Size: 9.00 X 6.00 in
ISBN: 9780231165976
Format: Paperback
BISACs:

LITERARY CRITICISM / Asian / Indic, LITERARY CRITICISM / Semiotics & Theory, HISTORY / Asia / South / General

The stereotype—that fixed and frozen form of cultural unknowledge—is brought to animate life in this book. Rereading an indispensable archive of South Asian Anglophone fiction through iconic stereotypes of the postcolony and the postcolonial (hunger, crowds, slums, migrant dislocation, global metropolis, civil war's deathscape, and terror), Mrinalini Chakravorty brilliantly reveals what lies within the stereotype. Hypervisual and fetishistic, yet also spectacularly mobile, relational, and affectively charged, the stereotype emerges as a virtual and vital technology of literary globalism and a surprising education in ethical reading.
Mrinalini Chakravorty is associate professor of English at the University of Virginia and concentrates on postcolonial literature and film; studies of race, gender, and sexuality; and cultural studies. She is particularly interested in the theoretical intersections among these areas, including but not limited to transnational approaches to the study of literary culture, aesthetic responses to globalization, and modes of minority discourse. She is the author of several articles that have appeared in differences, PMLA, Ariel, and Modern Fiction Studies, as well as other journals and collections.

Acknowledgments
Prologue: Stereotypes as Provocation
1. Why the Stereotype? Why South Asia?
2. To Understand Me, You'll Have to Swallow a World: Margins, Multitudes, and the Nation in Salman Rushdie's Midnight's Children
3. Slumdog or White Tiger? The Abjection and Allure of Slums
4. The Dead That Haunt Anil's Ghost: Subaltern Stereotypes and Postcolonial Melancholia
5. From Bangladesh to Brick Lane: The Biocultural Stereotypes of Migrancy
6. Good and Bad Transnationalisms: Outsourcing and Terror
Epilogue: The Afterlife of Stereotypes
Notes
Bibliography
Index