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Is, Is Not
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Tess Gallagher’s new poems are suspended between contradiction and beauty. Is, Is Not upends our notions of linear time, evokes the spirit and sanctity of place, and journeys toward discovering the...
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28 March 2019

Tess Gallagher’s new poems are suspended between contradiction and beauty. Is, Is Not upends our notions of linear time, evokes the spirit and sanctity of place, and journeys toward discovering the full capacity of language. Gallagher’s poems reverberate with the inward clarity of a bell struck on a mountaintop and hover daringly at the threshold of what language can nearly deliver while offering alternative corollaries as gifts of its failures. Guided by humour, grace, and a deep inquiry into the natural world, every poem nudges us toward moments of awe. How else except by delight and velocity would we discover the miracle within the ordinary? Gallagher claims many Wests – the Northwest of America, the north-west of Ireland, and a West even further to the edge, beyond the physical. These landscapes are charged with invisible energies and inhabited by the people, living and dead, who shape Gallagher’s poems and life. Restorative in every sense, Is, Is Not is the kind of book that takes a lifetime to write – a book of the spirit made manifest by the poet’s unrelenting gaze and her intimate engagement with the mysteries that keep us reaching.
Price: $18.95
Publisher: Bloodaxe Books
Imprint: Bloodaxe Books
Publication Date:
28 March 2019
ISBN: 9781780374611
Format: Paperback
BISACs:
Tess Gallagher is a poet, essayist, fiction writer and playwright. She has published many books, including five poetry titles in Britain with Bloodaxe, most recently Midnight Lantern: New & Selected Poems (2012), and her later collection, Is Is Not (2019). She has published two collections of stories, The Lover of Horses (1986) and At the Owl Woman Saloon (1997), and two books of essays, A Concert of Tenses: Essays on Poetry (1986) and Soul Barnacles: Ten More Years with Ray (2000). She co-authored two screenplays with Raymond Carver, and later contributed to the making of the Robert Altman film Short Cuts, based on Carver's work. She spends parts of each year in the West of Ireland, and her collection of oral stories from Ireland, Barnacle Soup, co-authored with Irish painter and storyteller Josie Gray, was published by Blackstaff Press in 2007.