Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
A haunting and quietly devastating new play by the Pulitzer Prize-winning author of The Flick.
The week after Thanksgiving. A bed and breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.
The description by the playwright of the setting is simple, but Annie Baker’s compelling new work is revolutionary in theme and structure and challenges the boundaries of what theatre can be. A kind of magical super-realism permeates throughout this quietly evolving tale, with both the actors and the audience fully vested together in a mesmerizing exploration of the frailty and loneliness of human experience.
“Annie Baker’s John is so good on so many levels that it casts a unique and brilliant light…By not rushing things—by letting the characters develop as gradually and inevitably as rain or snowfall—Baker returns us to the naturalistic but soulful theatre that many of her contemporaries and near-contemporaries have disavowed in their rush to be 'postmodern.'”
—New Yorker
"Baker’s almost superhuman flair for character and dialogue is in rare form."
—Alexis Soloski, The Guardian
“John, like any great play, raises a lot of questions–not just about the human experience, but also about the state of contemporary theater, it doesn’t provide many answers; it is not the playwright’s responsibility to do so…In John she co-opts the viewer for her own aesthetic use, heightening the tension onstage and deepening the quiet relationships between her characters. Through John, she displays an understanding that the audience is part of the theatrical experience, an inevitability as certain as a Chekhovian gun.”
—Slate
Annie Baker’s plays include The Antipodes, The Flick (Pulitzer Prize), John, The Aliens (Obie Award), Circle Mirror Transformation (Obie Award), an adaptation of Anton Chekhov’s Uncle Vanya, and Infinite Life. Her plays have been produced at more than two hundred theaters throughout the U.S. and in more than a dozen countries. She is the recipient of a MacArthur Fellowship, Guggenheim Fellowship, Steinberg Playwright Award, American Academy of Arts and Letters Award, and the Cullman Fellowship at the New York Public Library.