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Left Turns in Brown Study
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Offering a poetic-theoretical inquiry into the entwinement of study and mourning, Sandra Ruiz proposes “brown study” as key for understanding how Brownness fundamentally harbors loss, mourning, and...
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02 August 2024

In Left Turns in Brown Study Sandra Ruiz offers a poetic-theoretical inquiry into the interlacing forms of study and mourning. Drawing on Black and Brown activism and theory, Ruiz interweaves poetry, memoir, lyrical essay, and vignettes to examine study as an emancipatory practice. Proposing “brown study” as key for understanding how Brownness harbors loss and suffering along with the possibility for more abundant ways of living, Ruiz invites readers to turn left into the sounds, phrases, and principles of anticolonial ways of reading, writing, citing, and listening. In doing so, Ruiz engages with a panoply of hauntings, ghosts, and spectral presences, from deceased teachers, illiterate ancestors, and those lost to unnatural disasters to all those victims of institutional and colonial violence. Study is shared movement and Brownness lives in citation. Conceptual, poetic, and unconventional, this book is crucial for all those who theorize minoritarian literary aesthetics and think through utopia, queer possibility, and the entwinement of forms.
Price: $24.95
Pages: 152
Publisher: Duke University Press
Imprint: Duke University Press
Series: Writing Matters!
Publication Date:
02 August 2024
Trim Size: 9.00 X 6.00 in
ISBN: 9781478030126
Format: Paperback
BISACs:
“What we pull from the folds turns back on itself and us. Imagine our frustration at what invites and confronts. Our memories, our dreams, and our desires seem to dance around and against us. It’s impersonal, and it’s not personal, just gone, right in our hands, as utterly social air. Movement is founded on nothing more or less than this, says Sandra Ruiz, if we take our turn, if we study hard and dark, if we ‘never refuse to share.’”
— Fred Moten, author of
Sandra Ruiz is Sue Divan Associate Professor of Performance Studies in Theatre and English at the University of Illinois Urbana-Champaign and author of Ricanness: Enduring Time in Anticolonial Performance.