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A philosopher in the guise of a rake. In this wild, dazzling work of literary reinvention, Hungarian modernist Miklós Szentkuthy uses Casanova’s memoirs as a springboard for something far stranger: a swirling meditation on eros, memory, disguise, vanity, and the metaphysics of seduction.
Blending fiction, philosophy, and improvisation, Marginalia on Casanova is less a commentary than an ecstatic interruption—part reverie, part performance, part private theatre of ideas. Szentkuthy’s prose is electric, erratic, and baroque, drawing comparisons to Joyce, Borges, and Pater, but like nothing else in modern literature. First published in 1939, it launched a one-man avant-garde in Budapest and remains one of the most intoxicating debuts of the twentieth century.
— Nicholas Lezard
Miklós Szentkuthy (1908–1988) was a Hungarian writer, translator, and literary visionary whose work defied categories.
Mixing philosophy, fiction, and autobiography, he created one of the most ambitious and idiosyncratic bodies of work in 20th-century European literature.
Best known for his St. Orpheus Breviary and Marginalia on Casanova, Szentkuthy wrote with baroque intensity, intellectual playfulness, and a fearless disregard for convention.