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Migrant Aesthetics

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Glenda R. Carpio argues that we need a new paradigm for migrant fiction. She shows how contemporary authors expose the historical legacies and political injustices that produce forced migration.
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  • 31 October 2023
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Co-winner, 2024 Matei Calinescu Prize, Modern Language Association

Honorable Mention, 2023-2024 MELUS Book Award, Society for the Study of the Multi-Ethnic Literature of the United States

By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries. Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over.

Glenda R. Carpio argues that we need a new paradigm for migrant fiction. Migrant Aesthetics shows how contemporary authors—Teju Cole, Dinaw Mengestu, Aleksandar Hemon, Valeria Luiselli, Julie Otsuka, and Junot Díaz—expose the historical legacies and political injustices that produce forced migration through artistic innovation. Their fiction rejects the generic features of immigrant literature—especially the acculturation plot and the use of migrant narrators as cultural guides who must appeal to readerly empathy. They emphasize the limits of empathy, insisting instead that readers recognize their own roles in the realities of migration, which, like climate change, is driven by global inequalities. Carpio traces how these authors create literary echoes of the past, showing how the history of (neo)colonialism links distinct immigrant experiences and can lay the foundation for cross-ethnic migrant solidarity. Revealing how migration shapes and is shaped by language and narrative, Migrant Aesthetics casts fiction as vital testimony to past and present colonial, imperial, and structural displacement and violence.

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Price: $35.00
Pages: 304
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Literature Now
Publication Date: 31 October 2023
Trim Size: 9.00 X 6.00 in
ISBN: 9780231207577
Format: Paperback
BISACs:

LITERARY CRITICISM / Modern / 21st Century, SOCIAL SCIENCE / Emigration & Immigration, LITERARY CRITICISM / American / African American & Black, LITERARY CRITICISM / American / Asian American & Pacific Islander, LITERARY CRITICISM / American / Hispanic & Latino

Glenda R. Carpio’s superb book reframes our understanding of migration by highlighting the aesthetic strategies that authors like Julia Otsuka, Teju Cole, and Valeria Luiselli use to push readers away from empathy and toward understanding. In transcendent prose, Carpio illustrates how they frustrate readers’ desires for assimilation while revealing how we are all implicated in the economic, political, and ideological forces that create this global phenomenon.
Glenda R. Carpio is the chair of the English Department and professor of African and African American studies at Harvard University. She is the author of Laughing Fit to Kill: Black Humor in the Fictions of Slavery (2008), coeditor of African American Literary Studies: New Texts, New Approaches, New Challenges (2011), and the editor of The Cambridge Companion to Richard Wright (2019).

Acknowledgments
Introduction: Migrant Aesthetics
1. Migrant Anonymity: Strategic Opacity in Dinaw Mengestu and Teju Cole
2. Migrant Refraction: Aleksandar Hemon’s Anti-Autobiography
3. Migrant Solidarity: Valeria Luiselli’s Echo Canyon
4. Carceral Migration: Julie Otsuka’s Internment Novels
5. Apocalypse and Toxicity: Junot Díaz’s Migrant Aesthetics
6. Carceral Migration II: The Flores Declarations and Edwidge Danticat’s Brother, I’m Dying
Epilogue: “Chinga La Migra”—Karla Cornejo Villavicencio’s The Undocumented Americans
Notes
Index