Frontmatter 1
Table of Contents 5
Preface 9
Preface to the Revised and Expanded English Edition 11
Acknowledgements 15
List of Examples, Figures, and Tables 17
1. Art Music in a Global Context 25
2. Identity Criticism and Reflexive Globalization 29
3. Discourses of Intercultural Composition 38
1. Preliminaries of an Intercultural Music Historiography 47
2. Internationalism and Universalism: Repercussions of Political and Cultural History 63
3. The Ambivalence of the Local in Twentieth-Century Music 75
4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka 82
5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio 114
6. Categories of Intercultural Reception in Western Composition 135
1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century 155
2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile 167
3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 194
4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s 206
5. Intercultural Narrativity in East Asian Art Music since the 1990s 235
6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period 263
1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ 289
2. The sh as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music 308
1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song 337
2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective 363
3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning 385
1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space 393
2. Stratification and Analysis 402
3. Intercultural and Multilingual Trajectories of the Human Voice 411
4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically 428
Bibliography 441
Appendix 491
Index 497