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Off the Page
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Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close an...
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12 September 2017

Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry—from “how to write a winning script” books to screenwriting software—to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.
Price: $29.95
Pages: 320
Publisher: University of California Press
Imprint: University of California Press
Publication Date:
12 September 2017
Trim Size: 9.00 X 6.00 in
ISBN: 9780520285651
Format: Paperback
BISACs:
"Bernardi and Hoxter ... provide a scholarly exploration of the processes, complexities, and possibilities of the motion picture industry and the para-industries consuming the screenwriter's product."
Daniel Bernardi is Professor of Cinema in the School of Cinema at San Francisco State University. He is a documentary filmmaker, edits the War Culture book series at Rutgers University Press, and has published several books on film, television, and popular culture.
Julian Hoxter is Associate Professor of Cinema in the School of Cinema at San Francisco State University. He is a produced screenwriter and has published three books on the history and practice of screenwriting.
Julian Hoxter is Associate Professor of Cinema in the School of Cinema at San Francisco State University. He is a produced screenwriter and has published three books on the history and practice of screenwriting.
ACKNOWLEDGMENTS
INTRODUCTION: SCREENWRITING OFF THE PAGE
1. MILLENNIAL MANIC: CRISIS AND CHANGE IN THE BUSINESS OF SCREENWRITING
2. ATOP THE TENTPOLE: HOLLYWOOD SCREENWRITING TODAY
3. RUNNING THE ROOM: SHOWRUNNING IN EXPANDED TELEVISION
4. NEW MARKETS AND MICROBUDGETS: “INDEPENDENT” STORYTELLERS
5. SCREENWRITER 2.0: THE LEGITIMATION OF WRITING FOR VIDEO GAMES
CONCLUSION: SCRIPTING BOUNDARIES
NOTES
INDEX
INTRODUCTION: SCREENWRITING OFF THE PAGE
1. MILLENNIAL MANIC: CRISIS AND CHANGE IN THE BUSINESS OF SCREENWRITING
2. ATOP THE TENTPOLE: HOLLYWOOD SCREENWRITING TODAY
3. RUNNING THE ROOM: SHOWRUNNING IN EXPANDED TELEVISION
4. NEW MARKETS AND MICROBUDGETS: “INDEPENDENT” STORYTELLERS
5. SCREENWRITER 2.0: THE LEGITIMATION OF WRITING FOR VIDEO GAMES
CONCLUSION: SCRIPTING BOUNDARIES
NOTES
INDEX