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Pastures Green & Dark Satanic Mills

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A single, encompassing view of the rise of landscape painting in Britain from the eighteenth to the twenty-first century.
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  • 20 January 2015
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This new book offers a single, encompassing view of the development of landscape painting, photography, and land art in Britain from the eighteenth through to the late twentieth century. It reveals the strong continuity between British landscape art of today and that of over 250 years ago, with works by J.M.W. Turner, John Constable, Thomas Gainsborough, John Piper, David Nash, and Richard Long, amongst many others.

Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.

Oliver Fairclough is Keeper of Art, National Museum of Wales.

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Price: $59.95
Pages: 248
Publisher: D Giles Limited
Imprint: GILES
Publication Date: 20 January 2015
Trim Size: 10.25 X 9.25 in
ISBN: 9781907804342
Format: Hardcover
BISACs:

"Successfully combines work by the greatest masters in the genre with the production of little-known and often unjustly forgotten Welsh painters"—Jacques Carré, Cercles

"A valuable addition to studies of ... landscape art"—Patricia Andrew, Cassone
Oliver Fairclough is Keeper of Art, National Museum of Wales.

Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.
Foreword
Acknowledgments
Pastures Green and Dark Satanic Mills by Tim Barringer
Hen Gymru fynyddig, paradwys y bardd”: Wales and the Evolution of Landscape Art in Britain by Oliver Fairclough
Catalogue
Notes
Selected Bibliography
Index
Photo Credits