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Philology in the Making

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Philological practices have served to secure and transmit textual sources for centuries. However, this volume contends, it is only in the light of the current radical media change labeled the “digi...
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  • 17 September 2019
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Philological practices have served to secure and transmit textual sources for centuries. However – this volume contends –, it is only in the light of the current radical media change labeled ›digital turn‹ that the material and technological prerequisites of the theory and practice of philology become fully visible. The seventeen studies by scholars from the universities of Budapest and Cologne assembled here investigate these recent transformations of our techniques of writing and reading by critically examining core approaches to the history and epistemology of the humanities. Thus, a broad praxeological overview of basic cultural techniques of collective memory is unfolded.
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Price: $40.00
Pages: 316
Publisher: transcript publishing
Imprint: transcript publishing
Series: Digital Humanities
Publication Date: 17 September 2019
Trim Size: 8.86 X 5.83 in
ISBN: 9783837647709
Format: Paperback
BISACs:

LITERARY CRITICISM / General, LITERARY CRITICISM / Semiotics & Theory, LITERARY CRITICISM / American / General

»Eine Vielzahl der Beiträge [überzeugt] an weitreichenden theoretisch ambitionierten Überlegungen, die den eklatanten Forschungsbedarf in der philologischen Wissenschaftsgeschichte anzeigen.«

Pál Kelemen (Dr. phil.), born in 1977, teaches Comparative Literature at Eötvös Loránd Tudományegyetem in Budapest. His research includes material cultures of nineteenth century literature, the history and theory of philology, and the culture of everyday life.
Nicolas Pethes is a professor of German studies at Universität zu Köln.

Frontmatter 1
Table of contents 5
Introduction 9
How We Read 19
"The Return to Philology" 39
Pathological Philology 57
The Hourglass 73
Paper Mythology 93
The Literary Manuscript 109
From Abstraction to Inscription and Back Again 129
On-the-Table 147
Opening, Turning, Closing 161
Combination of Order and Disorder 175
Fractures of Writing 185
New Practices = New Conditions? 197
Sites of Digital Humanities 219
The Intertextual Frontiers of Vergil's "Empire without Limit" 229
Calendar View 257
Micro and Macro, Close and Distant 269
Securing the Literary Evidence 287
On the authors 311