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Postcards from Rio

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New Postcards from Rio de Janeiro examines the interconnections between notions of citizenship and space in the works of favela-based cultural producers. It argues that the emphasis on the favela d...
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  • 01 June 2017
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Through the analysis of a variety of favela-based visual cultural productions by young people and contemporary theorists, Postcards from Rio examines the complex relationship between citizenship and urban space in contemporary Rio de Janeiro.

By analyzing videos and photographs, Kátia da Costa Bezerra illustrates how citizens of favelas are reshaping their sense of belonging as subjects and as a legitimate part of the city. A groundbreaking study that examines more deeply the relationship between urban space, citizenship, and imagery originating in the favelas, Postcards from Rio sheds crucial light on how contemporary lenses are defining and mediating the meanings of space and citizenship as strategies of empowerment. The city emerges as a political space where multiplicities of perspectives are intertwined with demands for more inclusive forms of governance.

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Price: $31.00
Pages: 208
Publisher: Fordham University Press
Imprint: Fordham University Press
Publication Date: 01 June 2017
Trim Size: 9.00 X 6.00 in
ISBN: 9780823276554
Format: Paperback
BISACs:

SOCIAL SCIENCE / Sociology / Urban, LITERARY CRITICISM / Caribbean & Latin American

Studying important cultural works that trace shifting socioeconomic, cultural, and political patterns in Brazil in recent decades, da Costa Bezerra reveals the presence and importance of new sociocultural actors from Brazil's economically disenfranchised communities. A rare study that tackles the convergence between culture and human rights in present-day Brazil.---—Leila Lehnen, University of New Mexico
Kátia da Costa Bezerra, Ph.D., is Professor and associate head of the Department of Spanish and Portuguese at the University of Arizona. She has published in major journals and is a member of the Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World and The Rocky Mountain Review editorial boards.