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Krista Franklin draws on Pan African histories, Black Surrealism, Afrofuturism, pop culture, art history, and the historical and present-day micro-to-macro violence inflicted upon Black people and other people of color, working to forge imaginative spaces for radical possibilities and visions of liberation.
Featuring 45 poems, 40 artworks, an author statement and an interview, Too Much Midnight chronicles the intersections between art and life, art and writing, the historical and the speculative, cultural and personal identity, the magical and the mundane.
“Celebrating the possibilities for extrasensory powers to resist oppressive narratives and change the minds of a society, Franklin reorders ritual and constructs fantasies.”
—Matt Morris, Artforum
Krista Franklin is a writer and visual artist whose work has appeared in Poetry, The Offing, Black Camera, Copper Nickel, Callaloo, BOMB Magazine, Encyclopedia, Vol. F-K and L-Z, and the anthologies The End of Chiraq: A Literary Mixtape, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop and Gathering Ground. Her chapbook of poems, Study of Love & Black Body, was published by Willow Books in 2012.