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Thinking Through Crisis

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Winner, 2020 William Sanders Scarborough Prize, Modern Language AssociationHonorable Mention, MSA First Book PrizeIn Thinking Through Crisis, James Edward Ford III examines the works of Richard Wri...
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  • 05 November 2019
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Winner, 2020 William Sanders Scarborough Prize, Modern Language Association
Honorable Mention, MSA First Book Prize

In Thinking Through Crisis, James Edward Ford III examines the works of Richard Wright, Ida B. Wells, W. E. B. Du Bois, Zora Neale Hurston, and Langston Hughes during the 1930s in order to articulate a materialist theory of trauma. Ford highlights the dark proletariat’s emergence from the multitude apposite to white supremacist agendas. In these works, Ford argues, proletarian, modernist, and surrealist aesthetics transform fugitive slaves, sharecroppers, leased convicts, levee workers, and activist intellectuals into protagonists of anti-racist and anti-capitalist movements in the United States.

Thinking Through Crisis intervenes in debates on the 1930s, radical subjectivity, and states of emergency. It will be of interest to scholars of American literature, African American literature, proletarian literature, black studies, trauma theory, and political theory.

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Price: $39.00
Pages: 336
Publisher: Fordham University Press
Imprint: Fordham University Press
Series: Commonalities
Publication Date: 05 November 2019
Trim Size: 9.00 X 6.00 in
ISBN: 9780823286911
Format: Paperback
BISACs:

SOCIAL SCIENCE / Cultural & Ethnic Studies / American / African American & Black Studies, LITERARY CRITICISM / Semiotics & Theory, PHILOSOPHY / Movements / Critical Theory

James Edward Ford's erudition is critical and compositional. Thinking Through Crisis teaches us to reread texts that are, now, in his placement of them alongside one another, emanations of a larger, refolded, unfolding topography of twentieth century radical thought. This is a welcome and unique accomplishment. Ford is a sharp and adventurous thinker and Thinking Through Crisis expresses his gifts with profound, difficult beauty.---Fred Moten, New York University
James Edward Ford III is Associate Professor of English at Occidental College. His writings on the aesthetics of black radicalism, black popular culture, and political theory have appeared in the journals Novel, Biography, Cultural Critique, College Literature, New Centennial Review, ASAP Journal, and multiple edited collections. He is currently working on “Phillis, the Black Swan: Disheveling the Origins” and “Hip-Hop’s Late Style: Disheveling the Origins,” two projects that rethink the origins and ends of black American cultural production.

Acknowledgments | ix

Introduction: From Being to Unrest, from Objectivity to Motion | 1

Notebook 1 Down by the Riverside: Richard Wright,
the 1927 Flood, and the Citizen-Refugee | 35

Notebook 2 “Crusade for Justice”: Ida B. Wells and
the Power of the Multitude | 74

Notebook 3 W. E. B. Du Bois’s Black Reconstruction:
Theorizing Divine Violence | 123

Notebook 4 Zora Neale Hurston’s Moses, Man of the
Mountain: An Anthropology of Power | 193

Notebook 5 The New Day: Notes on Education and
the Dark Proletariat | 244

Conclusion: From Being to Unrest, from Objectivity
to Motion—A Race for Theory | 291

Notes | 299

Index | 333