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Reading Style

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A professor, critic, and insatiable reader, Jenny Davidson investigates the passions that drive us to fall in love with certain sentences over others and the larger implications of our relationship...
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  • 13 September 2016
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A professor, critic, and insatiable reader, Jenny Davidson investigates the passions that drive us to fall in love with certain sentences over others and the larger implications of our relationship with writing style. At once playful and serious, immersive and analytic, her book shows how style elicits particular kinds of moral judgments and subjective preferences that turn reading into a highly personal and political act.

Melding her experiences as reader and critic, Davidson opens new vistas onto works by Jane Austen, Henry James, Marcel Proust, and Thomas Pynchon; adds richer dimension to critiques of W. G. Sebald, Alan Hollinghurst, Thomas Bernhard, and Karl Ove Knausgaard; and allows for a sophisticated appreciation of popular fictions by Stephen King, Neil Gaiman, Lionel Shriver, George Pelecanos, and Helen DeWitt. She privileges diction, syntax, point of view, and structure over plot and character, identifying the intimate mechanics that draw us in to literature's sensual frameworks and move us to feel, identify, and relate. Davidson concludes with a reading list of her favorite titles so others can share in her literary adventures and get to know better the imprint of her own reading style.

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Price: $23.00
Pages: 208
Publisher: Columbia University Press
Imprint: Columbia University Press
Publication Date: 13 September 2016
Trim Size: 8.25 X 5.50 in
ISBN: 9780231168595
Format: Paperback
BISACs:

LITERARY CRITICISM / Semiotics & Theory, LITERARY CRITICISM / Books & Reading, LANGUAGE ARTS & DISCIPLINES / Writing / General, LITERARY CRITICISM / American / General, LITERARY CRITICISM / European / General

Davidson is the ideal reader every writer wishes for, who catches every nuance and every sly allusion, who is alive to rhythm and color and orchestration. She does not just read for that ostensibly load-bearing stuff that is labeled 'meaning,' but detects all of the layers of meaning that are conveyed purely by style. Her book is a gift and a deep pleasure, because what makes her such a virtuoso reader is that she is also a first-rate writer.
Jenny Davidson teaches in the Department of English and Comparative Literature at Columbia University. She has published two books on eighteenth-century British literature, including Breeding: A Partial History of the Eighteenth Century, and four novels. She blogs at Light Reading (jennydavidson.blogspot.com).

1. The Glimmer Factor: Anthony Burgess's 99 Novels
2. Lord Leighton, Liberace, and the Advantages of Bad Writing: Helen DeWitt, Harry Stephen Keeler, Lionel Shriver, George Eliot
3. Mouthy Pleasures and the Problem of Momentum: Gary Lutz, Lolita, Lydia Davis, Jonathan Lethem
4. The Acoustical Elegance of Aphorism: Kafka, Fielding, Austen, Flaubert
5. Tempo, Repetition, and a Taxonomy of Pacing: Peter Temple, Neil Gaiman, A. L. Kennedy, Edward P. Jones
6. Late Style: The Golden Bowl and Swann's Way
7. Disordered Sentences: Georges Perec, Roland Barthes, Wayne Koestenbaum, Luc Sante
8. Details That Linger and the Charm of Voluntary Reading: George Pelecanos, Stephen King, Thomas Pynchon
9. The Ideal Bookshelf: The Rings of Saturn and The Line of Beauty
10. The Bind of Literature and the Bind of Life: Voices from Chernobyl, Thomas Bernhard, Karl Ove Knausgaard
Notes
A Reading List
Index