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Recovering Place

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A collage of original artwork, photographs, and ruminations that engage with modern and postmodern society, art, and technology.
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  • 09 August 2016
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Mark C. Taylor recounts a poignant love affair not with a person but with a place that, paradoxically, cannot be easily localized. For many years, Taylor has lived in the Berkshire Mountains, where he writes and creates land art and sculpture. In a world of mobile screens and virtual realities, where speed is the measure of success and place is disappearing, his work slows down thought and brings life back to earth to give readers time to ponder the importance of place before it slips away.

Taylor extends reflection beyond the page and returns with new insights about what is hiding in plain sight all around us. Weaving together words and images, his artful work enacts what it describes. Things long familiar suddenly appear strange, and the strange, unexpected, and unprogrammed unsettle readers in surprising ways. This timely meditation gives pause in the midst of harried lives and turns attention toward what we usually overlook: night, silence, touch, grace, ghosts, water, earth, stones, bones, idleness, infinity, slowness, and contentment. Recovering Place is a unique work with reflections that linger long after the book is closed.

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Price: $26.00
Pages: 176
Publisher: Columbia University Press
Imprint: Columbia University Press
Series: Religion, Culture, and Public Life
Publication Date: 09 August 2016
Trim Size: 8.00 X 10.00 in
ISBN: 9780231164993
Format: Paperback
BISACs:

RELIGION / Philosophy, PHOTOGRAPHY / Collections, Catalogs, Exhibitions / General, ART / Sculpture & Installation, PHOTOGRAPHY / Subjects & Themes / Landscapes

Taylor engages—by modeling it in language as well as in earth and water—his readers' desire for an earthen transcendence.
Mark C. Taylor is professor of religion at Columbia University. His Columbia University Press books include Rewiring the Real: In Conversation with William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo (2013); Refiguring the Spiritual: Beuys, Barney, Turrell, Goldsworthy (2012); and Field Notes from Elsewhere: Reflections on Dying and Living (2009).

Introduction
Stone Hill
Capital
Globalization
Modern
Mobility
Displacement
Place
Non-Place
Orientation
Posthuman
Nihilism
Project
Philosophy
neχus
χ
God
Art
Craft
Imagination
Disfiguring
Faults
Dawn
Night
Night Vision
Gardens
Placement
Folly
Abstraction
Body
Flesh
Parasite
Sense
Color
Touch
Smell
Apprehension
Thinking
Surface
Seaming
Appearing
Human
Real
Grace
Bliss
Point
Particularity
Photographing
Wildflowers
Infinity
Invisibility
Holes
Shadows
Near
Tracks
Ghosts
Not
Distraction
Boredom
Slowness
Revelation
Fuzzy
Compliance
Time
Complacency
Snow
Winter
Spring
Summer
Fall
Excess
Indifference
Inhuman
Abandonment
Cultivation
Practice
Raking
Walking
Stones
Granite
Marble
Moraines
River Stone
Walling
Elemental
Earth
Air
Wind
Fire
Water
Rain
Ice
Wood
Forest
Flows
HardSoft
Silence
Solitude
Waste
Pyramid
Pit
Sign
Sacrifice
Burial
Bones
Relics
Death
Prayer
Creativity
Economies
Waiting
Idleness
Dwelling
Contentment
Notes
Acknowledgments