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Shapes of Apocalypse

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This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realis...
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  • 30 May 2018
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This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of “end of history” and “end of present time” are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner.
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Price: $35.00
Pages: 288
Publisher: Academic Studies Press
Imprint: Academic Studies Press
Series: Myths and Taboos in Slavic Cultures
Publication Date: 30 May 2018
Trim Size: 9.21 X 6.14 in
ISBN: 9781618118240
Format: Paperback
BISACs:

ART / Russian & Soviet, LITERARY CRITICISM / Russian & Soviet, PHILOSOPHY / General

“The volume should be of interest to specialists of nineteenth- and early twentieth-century Russian literature and the arts, the Eastern Orthodox Church, or Slavic spirituality in general. While there is great variation among the authors of the ten essays, they all address their genres from a religious or spiritual point of view. As a result, the reader will find some unexpected ‘reads’ of familiar works in the literary and arts sections and an interesting variety of opinions regarding Eastern Orthodoxy and apocalypse in the philosophy section.”
Andrea Oppo (PhD University College Dublin) is associate professor of aesthetics at the Pontifical Faculty of Theology of Sardinia (Italy). He is the author of Philosophical Aesthetics and Samuel Beckett (2008), Estetiche del negativo. Studi su Dostoevskij, Cechov e Beckett (2009), and numerous articles on Russian religious philosophy and the relationship between philosophy and the arts.